Roy Scheider in the context of Naked Lunch (film)


Roy Scheider in the context of Naked Lunch (film)

⭐ Core Definition: Roy Scheider

Roy Richard Scheider (/ˈʃdər/; November 10, 1932 – February 10, 2008) was an American actor and amateur boxer who achieved fame with his leading and supporting roles in celebrated films from the 1970s to the mid-1980s. He was nominated for two Academy Awards, one Golden Globe, and one BAFTA.

Scheider's best-known roles include Frank Ligourin in Klute (1971), Police Chief Martin Brody in Jaws (1975) and its 1978 sequel, "Cloudy" Russo in The French Connection (1971), "Buddy" in The Seven-Ups (1973), Doc Levy in Marathon Man (1976), Scanlon / Dominguez in Sorcerer (1977), Joe Gideon in All That Jazz (1979), Frank Murphy in Blue Thunder (1983), and Dr. Heywood Floyd in the 2001: A Space Odyssey sequel, 2010: The Year We Make Contact (1984). Subsequent credits included Naked Lunch (1991), Romeo Is Bleeding (1993), The Myth of Fingerprints (1997), The Rainmaker (1997), and The Punisher (2004). He portrayed Captain Nathan Bridger on NBC's seaQuest DSV from 1993–1996.

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Roy Scheider in the context of Jaws (film)

Jaws is a 1975 American thriller film directed by Steven Spielberg. Based on the 1974 novel by Peter Benchley, it stars Roy Scheider as police chief Martin Brody, who, with the help of a marine biologist (Richard Dreyfuss) and a professional shark hunter (Robert Shaw), hunts a man-eating great white shark that attacks beachgoers at a New England summer resort town. Murray Hamilton plays the town's mayor, and Lorraine Gary portrays Brody's wife. The screenplay is credited to Benchley, who wrote the first drafts, and actor-writer Carl Gottlieb, who rewrote the script during principal photography.

Shot mostly on location at Martha's Vineyard in Massachusetts from May to October 1974, Jaws was the first major motion picture to be shot on the ocean and consequently had a troubled production, going over budget and schedule. As the art department's mechanical sharks often malfunctioned, Spielberg decided to mostly suggest the shark's presence, employing an ominous and minimalist theme created by composer John Williams to indicate its impending appearances. Spielberg and others have compared this suggestive approach to that of director Alfred Hitchcock. Universal Pictures released the film to over 450 screens, an exceptionally wide release for a major studio picture at the time, accompanied by an extensive marketing campaign with heavy emphasis on television spots and tie-in merchandise.

View the full Wikipedia page for Jaws (film)
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