Roxelana in the context of "Selim II"

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⭐ Core Definition: Roxelana

Hürrem Sultan (Turkish pronunciation: [hyɾˈɾæm suɫˈtan]; Ottoman Turkish: خرّم سلطان; c. 1505– 15 April 1558), also known as Roxelana, was the chief consort and legal wife of Ottoman sultan Suleiman the Magnificent, mother of his successor Selim II, and the first haseki sultan of the Ottoman Empire. She became one of the most powerful and influential women in Ottoman history, and the first in a series of prominent women who lived during the period that came to be known as the Sultanate of Women.

Presumably born in Ruthenia to a Ruthenian Orthodox family, she was captured by Crimean Tatars during a slave raid and eventually taken via the Crimean trade to Constantinople, the Ottoman capital.

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Roxelana in the context of Church monument

Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.

The deposit of objects with an apparent aesthetic intention is found in almost all cultures – Hindu culture, which has little, is a notable exception. Many of the best-known artistic creations of past cultures – from the Egyptian pyramids and the Tutankhamun treasure, to the Terracotta Army surrounding the tomb of Qin Shi Huang, the Mausoleum of Halicarnassus, the Sutton Hoo ship burial and the Taj Mahal – are tombs or objects found in and around them. In most instances, specialized funeral art was produced for the powerful and wealthy, although the burials of ordinary people might include simple monuments and grave goods, usually from their possessions.

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Roxelana in the context of Umm al-walad

In the Islamic world, the title of umm al-walad (Arabic: أم الولد, lit.'mother of the child') was given to a slave-concubine who had given birth to a child acknowledged by her master as his. These women were regarded as property and could be sold by their owners, a practice that was permitted at the time under regulations from Prophet Muhammad.

After Muhammad’s death, Umar authorized a policy during his time as a caliph, that prohibited owners from selling or gifting their umm al-walads, and upon their owners deaths, they would be granted freedom. Ali, Muhammad's cousin and son-in-law, initially concurred with Umar's decision. However, after Umar's death and the death of Uthman, who maintained the policy, Ali reversed it in the later period of his caliphate, declaring that umm al-walad was still sellable despite having given birth to the owner's child.

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