Rousseau in the context of "Peter Abélard"

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⭐ Core Definition: Rousseau

Jean-Jacques Rousseau (UK: /ˈrs/, US: /rˈs/; French: [ʒɑ̃ʒak ʁuso]; 28 June 1712 – 2 July 1778) was a Genevan philosopher, philosophe, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought.

Rousseau's Discourse on Inequality, which argues that private property is the source of inequality, and The Social Contract, which outlines the basis for a legitimate political order, are cornerstones in modern political and social thought. Rousseau's sentimental novel Julie, or the New Heloise (1761) was important to the development of preromanticism and romanticism in fiction. His Émile, or On Education (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published Confessions (completed in 1770), which initiated the modern autobiography, and the unfinished Reveries of the Solitary Walker (composed 1776–1778)—exemplified the late 18th-century "Age of Sensibility", and featured an increased focus on subjectivity and introspection that later characterized modern writing.

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Rousseau in the context of Peter Abelard

Peter Abelard (12 February 1079 – 21 April 1142) was a medieval French scholastic philosopher, leading logician, theologian, teacher, musician, composer, and poet.

In philosophy he is celebrated for his logical solution to the problem of universals via nominalism and conceptualism and his pioneering of intent in ethics. Often referred to as the "Descartes of the twelfth century", he is considered a forerunner of Rousseau, Kant, and Spinoza. He is sometimes credited as a chief forerunner of modern empiricism.

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Rousseau in the context of Louis XVI style

Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 18-year reign of Louis XVI (1774–1792), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.

Notable architects of the period included Victor Louis (1731–1811), who completed the Grand Théâtre de Bordeaux (1780). The Odeon Theatre in Paris (1779–1782) was built by Marie-Joseph Peyre (1730–1785) and Charles de Wailly (1729–1798). François-Joseph Bélanger completed the Chateau de Bagatelle in just sixty-three days to win a bet for its builder, the King's brother. Another period landmark was the belvedere of the Petit Trianon, built by Richard Mique. The most characteristic building of the late Louis XVI residential style is the Hôtel de Salm in Paris (now the Palais de la Légion d'Honneur), built by Pierre Rousseau in 1751–1783.

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