Romanesque Revival architecture in the context of Architectural style

Notre-Dame de la Garde (French: [nɔtʁ(ə) dam d(ə) la ɡaʁd]; Occitan: Nòstra Dòna de la Gàrdia, lit. 'Our Lady of the Guard'), known to local citizens as la Bonne Mère (Occitan: la Bòna Maire, lit. 'the Good Mother'), is a Catholic basilica in Marseille, France, and the city's best-known symbol. The site of a popular Assumption Day pilgrimage, it is the most visited site in Marseille. It was built on the foundations of an ancient fort at the highest natural point in the city, a 149 m (489 ft) limestone outcropping on the south side of the Old Port of Marseille.

Construction of the basilica began in 1853 and lasted for over 40 years. It was originally an enlargement of a medieval chapel but was transformed into a new structure at the request of Father Bernard, the chaplain. The plans were made and developed by the architect Henri-Jacques Espérandieu. It was consecrated while still unfinished on 5 June 1864. The basilica consists of a lower church or crypt in the Romanesque style, carved from the rock, and an upper church of Neo-Byzantine style decorated with mosaics. A square 41 m (135 ft) bell tower topped by a 12.5 m (41 ft) belfry supports a monumental 11.2 m (37 ft) statue of the Madonna and Child, made of copper gilded with gold leaf.

Eclecticism in architecture is a 19th and 20th century architectural style in which a single piece of work incorporates eclecticism, a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value.

The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval period and region, while other revived styles such as Neoclassical, Baroque, Palazzo style, Jacobethan, Romanesque and many others were likely to be treated more freely.

Decimus Burton (30 September 1800 – 14 December 1881) was one of the foremost English architects and landscapers of the 19th century. He was the foremost Victorian architect in the Roman Revival, Greek Revival, Georgian neoclassical and Regency styles. He was a founding fellow and vice-president of the Royal Institute of British Architects, and from 1840 architect to the Royal Botanic Society, and an early member of the Athenaeum Club, London, whose clubhouse he designed and which the company of his father, James Burton, the pre-eminent Georgian London property developer, built.

Burton's works are Hyde Park, London (including the gate or screen of Hyde Park Corner, the Wellington Arch, and the Gates); Green Park and St James's Park; Regent's Park (including Cornwall Terrace, York Terrace, Clarence Terrace, Chester Terrace, and the villas of the Inner Circle which include his own mansion, The Holme, and the original Winfield House); the enclosure of the forecourt of Buckingham Palace from which he had Nash's Marble Arch moved; the clubhouse of the Athenaeum Club, London; Carlton House Terrace; Spring Gardens in St. James's; and the Palm House and the Temperate House at Kew Gardens. Burton designed the seaside towns of St Leonards-on-Sea, Fleetwood, and Folkestone, and also Royal Tunbridge Wells. His Calverley Estate (of which only a small proportion survives) was highly commended.

Alfred Waterhouse RA PPRIBA (19 July 1830 – 22 August 1905) was an English architect, particularly associated with Gothic Revival architecture, although he designed using other architectural styles as well. He is perhaps best known for his designs for Manchester Town Hall and the Natural History Museum in London. He designed other town halls, the Manchester Assize buildings—bombed in World War II—and the adjacent Strangeways Prison. He also designed several hospitals, the most architecturally interesting being the Royal Infirmary Liverpool and University College Hospital London. He was particularly active in designing buildings for universities, including both Oxford and Cambridge but also what became Liverpool, Manchester and Leeds universities. He designed many country houses, the most important being Eaton Hall in Cheshire. He designed several bank buildings and offices for insurance companies, most notably the Prudential Assurance Company. Although not a major church designer he produced several notable churches and chapels.

Financially speaking, Waterhouse was probably the most successful of all Victorian architects. He designed some of the most expensive buildings of the Victorian age. The three most costly were Manchester Town Hall, Eaton Hall and the Natural History Museum; they were also among the largest buildings of their type built during the period. Waterhouse had a reputation for being able to plan logically laid out buildings, often on awkward or cramped sites. He built soundly constructed buildings, having built up a well structured and organised architectural office, and used reliable sub-contractors and suppliers. His versatility in stylistic matters also attracted clients. Though expert within Neo-Gothic, Renaissance Revival and Romanesque Revival styles, Waterhouse never limited himself to a single architectural style. He often used eclecticism in his buildings. Styles that he used occasionally include Tudor revival, Jacobethan, Italianate, and some only once or twice, such as Scottish baronial architecture, Baroque Revival, Queen Anne style architecture and Neoclassical architecture.

The Smithsonian Institution Building, more commonly known as the Smithsonian Castle or simply The Castle, is a building on the National Mall housing the Smithsonian Institution's administrative offices and information center. Built as the first Smithsonian museum building, it is constructed of Seneca red sandstone in the Norman Revival style (a recalling of a 12th-century combination of late Romanesque and early Gothic motifs; built in the Gothic and Romanesque revival styles). It was completed in 1855 and designated a National Historic Landmark in 1965.

Rundbogenstil (round-arch style) is a 19th-century historic revival style of architecture popular in the German-speaking lands and the German diaspora. It combines elements of Byzantine, Romanesque, and Renaissance architecture with particular stylistic motifs. It forms a German branch of Romanesque Revival architecture sometimes used in other countries.

Richardsonian Romanesque is a style of Romanesque Revival architecture named after the American architect Henry Hobson Richardson (1838–1886). The revival style incorporates 11th- and 12th-century southern French, Spanish, and Italian Romanesque characteristics. Richardson first used elements of the style in his Richardson Olmsted Complex in Buffalo, New York, designed in 1870, and Trinity Church in Boston is his most well-known example of this medieval revival style. Multiple architects followed in this style in the late 19th century; Richardsonian Romanesque later influenced modern styles of architecture as well.

The Cathedral of St. John the Divine (sometimes referred to as St. John's and also nicknamed St. John the Unfinished) is the cathedral of the Episcopal Diocese of New York. It is at 1047 Amsterdam Avenue in the Morningside Heights neighborhood of Manhattan in New York City, between West 110th Street (also known as Cathedral Parkway) and West 113th Street.

The cathedral is an unfinished building, with only two-thirds of the proposed building completed, due to several major stylistic changes, work interruptions, and unstable ground on the site. The original design, in the Byzantine Revival and Romanesque Revival styles, began construction in 1892. After the opening of the crossing in 1909, the overall plan was changed to a Gothic Revival design. The completion of the nave was delayed until 1941 due to various funding shortfalls, and little progress has occurred since then, except for an addition to the tower at the nave's southwest corner. After a large fire damaged part of the cathedral in 2001, it was renovated and rededicated in 2008. The towers above the western elevation of the facade, as well as the southern transept and a proposed steeple above the crossing, have not been completed.

Syracuse University (informally 'Cuse or SU) is a private research university in Syracuse, New York, United States. It was established in 1870 with roots in the Methodist Episcopal Church but has been nonsectarian since 1920. Located in the city's University Hill neighborhood, east and southeast of downtown Syracuse, the large campus features an eclectic mix of architecture, ranging from nineteenth-century Romanesque Revival to contemporary buildings. Syracuse University is organized into 13 schools and colleges and is classified among "R1: Doctoral Universities – Very high research activity".

Syracuse University athletic teams, the Orange, participate in 20 intercollegiate sports. SU is a member of the Atlantic Coast Conference (ACC) for all NCAA Division I athletics, except for the men's rowing and women's ice hockey teams. SU is also a member of the Eastern College Athletic Conference. Alumni, faculty, and affiliates include former President Joe Biden, three Nobel Prize laureates, one Fields Medalist, thirty-six Olympic Medalists, thirteen Pulitzer Prize recipients, Academy Award winners, Emmy Award winners, Grammy Award winners, two Rhodes Scholars, seven Marshall Scholars, governors, and members of the U.S. Senate and House of Representatives.

The Sniffen Court Historic District is a small close-ended mews, running perpendicularly southwest from East 36th Street, between Third and Lexington Avenues in the Murray Hill neighborhood of Manhattan in New York City. The district, one of the smallest in New York City, encompasses the entire alley, which consists of 10 two-story brick stables built in 1863–1864 in the early Romanesque Revival style. The New York City Landmarks Preservation Commission designated Sniffen Court as a city historic district on June 21, 1966, and the district was added to the National Register of Historic Places on November 28, 1973.

The Queen Victoria Building (QVB) is a heritage-listed late-19th-century building located at 429–481 George Street in the Sydney central business district, in the Australian state of New South Wales. Designed by the architect George McRae, the Romanesque Revival building was constructed between 1893 and 1898 and is 30 metres (98 ft) wide by 190 metres (620 ft) long. The domes were built by Ritchie Brothers, a steel and metal company that also built trains, trams and farm equipment. The building fills a city block bounded by George, Market, York, and Druitt Streets. Designed as a marketplace, it was used for a variety of other purposes, underwent remodelling, and suffered decay until its restoration and return to its original use in the late twentieth century. The property is co-owned by the City of Sydney and Link REIT, and was added to the New South Wales State Heritage Register on 5 March 2010.

North Congregational Church was built in Springfield, Massachusetts in 1872-73, and was one of the early works by noted American architect Henry Hobson Richardson. It is one of his first works in the Romanesque style.

The Basilica of the National Shrine of the Immaculate Conception is a Catholic minor basilica and national shrine in Washington D.C. It is the largest Catholic church building in North America and is also the tallest habitable building in Washington, D.C. Its construction of Byzantine and Romanesque Revival architecture began on September 23, 1920.

The basilica is dedicated to the Blessed Virgin Mary as the Immaculate Conception, designated as the principal Patroness accorded by Pope Pius IX on February 7, 1847. Pope Pius XI donated a mosaic rendition of the image in 1923. It serves as the patronal church of the Catholic Church in the United States.

The Puck Building is a mixed-use building at 295–309 Lafayette Street in the SoHo and Nolita neighborhoods of Manhattan in New York City, New York, U.S. The building was designed by Albert Wagner in the Romanesque Revival style, with elements inspired by the German Rundbogenstil style. It is composed of two sections: the original seven-story building to the north and a nine-story southern annex. The Lafayette Street elevation of the facade was designed by Herman Wagner in a style similar to that of the original building. The Puck Building is a New York City designated landmark and is listed on the National Register of Historic Places.

The Puck Building occupies the block bounded by Lafayette, Houston, Mulberry, and Jersey streets. The red brick facade is divided vertically into bays of uniform width. The facade is also divided horizontally into several tiers of arcades, with wider arches at the top and narrower arches at the bottom. The sculptor Henry Baerer crafted two sculptures of the Shakespeare character Puck for the facade. The building is topped by a penthouse structure. The original interiors were arranged as open plan offices, which largely remained intact in the late 20th century. There is retail space in the basement and first two stories; office and studio space on the intermediate stories; and six penthouse apartments on the highest stories.