Romance (heroic literature) in the context of "Quest"

Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.

Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected into interrelated groups, as with Chaucer's The Canterbury Tales. So sagas include both incidental poetry and the biographies of poets.

Euripides (/jʊəˈrɪpɪdiːz/; Ancient Greek: Eὐριπίδης, romanized: Eurīpídēs, pronounced [eu̯.riː.pí.dɛːs]; c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three authors of Greek tragedy for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Nineteen plays attributed to Euripides have survived more or less complete, although one of these (Rhesus) is often considered not to be genuinely his work. Many fragments (some of them substantial) survive from most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined: he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.

Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. He was referred to by Aristotle as "the most tragic of poets", probably in reference to a perceived preference for unhappy endings, but Aristotle's remark is seen by Bernard Knox as having wider relevance, since "in his representation of human suffering Euripides pushes to the limits of what an audience can stand; some of his scenes are almost unbearable." Focusing on the inner lives and motives of his characters in a way previously unknown, Euripides was "the creator of ... that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "imprisoned men and women destroy each other by the intensity of their loves and hates". But he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw.

According to the medieval poet Jean Bodel, the Matter of Rome (French: matière de Rome; Latin: Res Romana) is the literary cycle of Greek and Roman mythology, together with episodes from the history of classical antiquity, focusing on military heroes like Alexander the Great and Julius Caesar. Bodel's division of literary cycles also included the Matter of France and the Matter of Britain (although "non-cyclical" romance also existed). The Matter of Rome includes the Matter of Troy, consisting of romances and other texts based on the Trojan War and its legacy, including the adventures of Aeneas.

The chanson de geste (Old French for 'song of heroic deeds', from Latin: gesta 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.

Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred chansons de geste have survived in approximately three hundred manuscripts that date from the 12th to the 15th century.

Yvain, the Knight of the Lion (French: Yvain ou le Chevalier au Lion) is an Arthurian romance by French poet Chrétien de Troyes. It was written c. 1180 simultaneously with Lancelot, the Knight of the Cart, and includes several references to the narrative of that poem. It is a story of knight-errantry, in which the protagonist Yvain is first rejected by his lady for breaking a very important promise, and subsequently performs a number of heroic deeds in order to regain her favour. The poem has been adapted into several other medieval works, including Iwein and Owain, or the Lady of the Fountain.

The term Middle English literature refers to the literature written in the form of the English language known as Middle English, from the late 12th century until the 1470s. During this time the Chancery Standard, a form of London-based English, became widespread and the printing press regularized the language. Between the 1470s and the middle of the following century there was a transition to early Modern English. In literary terms, the characteristics of the literary works written did not change radically until the effects of the Renaissance and Reformed Christianity became more apparent in the reign of King Henry VIII. There are three main categories of Middle English literature, religious, courtly love, and Arthurian, though much of Geoffrey Chaucer's work stands outside these. Among the many religious works are those in the Katherine Group and the writings of Julian of Norwich and Richard Rolle.

After the Norman Conquest of England, Law French became the standard language of courts, parliament, and society. The Norman dialects of the ruling classes mixed with the Anglo-Saxon of the people and became Anglo-Norman, and Anglo-Saxon underwent a gradual transition into Middle English. Around the turn of the thirteenth century, Layamon wrote in Middle English. Other transitional works were popular entertainment, including a variety of romances and lyrics. With time, the English language regained prestige, and in 1362 it replaced French and Latin in Parliament and courts of law. Early examples of Middle English literature are the Ormulum and Havelock the Dane. In the fourteenth century major works of English literature began once again to appear, including the works of Chaucer. The latter portion of the 14th century also saw the consolidation of English as a written language and a shift to secular writing. In the late 15th century William Caxton printed four-fifths of his works in English, which helped to standardize the language and expand the vocabulary.

The trobairitz (Occitan pronunciation: [tɾuβajˈɾits]) were Occitan female troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. Trobairitz is both singular and plural.

The word trobairitz is first attested in the 13th-century romance Flamenca. It comes from the Provençal word trobar, the literal meaning of which is "to find", and the technical meaning of which is "to compose". The word trobairitz is used very rarely in medieval Occitan, as it does not occur in lyrical poetry, grammatical treatises or in the biographies (vidas) of the trobairitz or troubadours. It does occur in the treatise Doctrina d'acort by Terramagnino da Pisa, written between 1282 and 1296. He uses it as an example of a word the plural and singular of which are the same.

Chariton of Aphrodisias (Ancient Greek: Χαρίτων ὁ Ἀφροδισιεύς) was the author of an ancient Greek novel probably titled Callirhoe (based on the subscription in the sole surviving manuscript). However, it is regularly referred to as Chaereas and Callirhoe (which more closely aligns with the title given at the head of the manuscript). Evidence of fragments of the text on papyri suggests that the novel may have been written in the mid-1st century AD, making it the oldest surviving complete ancient prose romance and the only one to make use of apparent historiographical features for background verisimilitude and structure, in conjunction with elements of Greek mythology, as Callirhoe is frequently compared to Aphrodite and Ariadne and Chaereas to numerous heroes, both implicitly and explicitly. As the fiction takes place in the past, and historical figures interact with the plot, Callirhoe may be understood as the first historical novel; it was later imitated by Xenophon of Ephesus and Heliodorus of Emesa, among others.