Roman de Fauvel in the context of Acrostic


Roman de Fauvel in the context of Acrostic

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⭐ Core Definition: Roman de Fauvel

The Roman de Fauvel is a 14th-century French allegorical verse romance of satirical bent, generally attributed to Gervais du Bus [fr], a clerk at the French royal chancery. The original narrative of 3,280 octosyllabics is divided into two books, dated to 1310 and 1314 respectively, during the reigns of Philip IV and Louis X. In 1316–7 Chaillou de Pesstain produced a greatly expanded version.

The romance features Fauvel, a fallow-colored horse who rises to prominence in the French royal court, and through him satirizes the self-serving hedonism and hypocrisy of men, and the excesses of the ruling estates, both secular and ecclesiastical. The antihero's name can be broken down to mean "false veil", and also forms an acrostic F-A-V-V-E-L with the letters standing for the human vices: Flattery, Avarice, Vileness, Variability (Fickleness), Envy, and Laxity. The romance also gave birth to the English expression "curry fauvel", the obsolete original form of "curry favor". The work is reminiscent of a similar tract in the 13th-century Roman de la Rose, though owes more to the animal fabliaux of Reynard the Fox.

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Roman de Fauvel in the context of Ars nova

Ars nova (Latin for 'new art') refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. More particularly, it refers to the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the fourteenth century. For instance, the term "Italian ars nova" is sometimes used to denote the music of Francesco Landini and his compatriots, although Trecento music is the more common term for the contemporary 14th-century music in Italy. The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae (New Technique of Music) (c. 1320) by Johannes de Muris, and a collection of writings (c. 1322) attributed to Philippe de Vitry often simply called "Ars nova" today. Musicologist Johannes Wolf first applied to the term as description of an entire era (as opposed to merely specific persons) in 1904.

The term ars nova is often used in juxtaposition to two other periodic terms, of which the first, ars antiqua, refers to the music of the immediately preceding age, usually extending back to take in the period of Notre Dame polyphony (from about 1170 to 1320). Roughly, then, ars antiqua refers to music of the thirteenth century, and the ars nova that of the fourteenth; many music histories use the terms in this more general sense.

View the full Wikipedia page for Ars nova
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