Roman Theatre (Mérida) in the context of "Greco-Roman culture"

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⭐ Core Definition: Roman Theatre (Mérida)

The Roman Theatre of Mérida is a Roman theatre in the Roman colonia of Emerita Augusta –present-day Mérida, Spain–, capital of the Roman province of Lusitania. Its construction was promoted by the consul Vipsanius Agrippa and was built in 16–15 BCE. It was used for Roman theatrical performances during ancient Rome. Since 1933, it houses the International Festival of Classical Theatre of Mérida [es].

The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340 CE), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre's abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible. In local folklore the site was referred to as "The Seven Chairs", where, according to tradition, several Moorish kings sat to decide the fate of the city.

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Roman Theatre (Mérida) in the context of Greco-Roman

The Greco-Roman world /ˌɡrkˈrmən, ˌɡrɛk-/, also Greco-Roman civilization, Greco-Roman culture or Greco-Latin culture (spelled Græco-Roman or Graeco-Roman in British English), as understood by modern scholars and writers, includes the geographical regions and countries that culturally—and so historically—were directly and intimately influenced by the language, culture, government and religion of the Ancient Greeks and Romans. A better-known term is classical antiquity. In exact terms the area refers to the "Mediterranean world", the extensive tracts of land centered on the Mediterranean and Black Sea basins, the "swimming pool and spa" of the Greeks and the Romans, in which those peoples' cultural perceptions, ideas, and sensitivities became dominant in classical antiquity.

That process was aided by the universal adoption of Greek as the language of intellectual culture and commerce in the Eastern Mediterranean and of Latin as the language of public administration and of forensic advocacy, especially in the Western Mediterranean.

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