National Gallery of Victoria in the context of "Monument to Balzac"

⭐ In the context of *Monument to Balzac*, the National Gallery of Victoria is notable for…

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⭐ Core Definition: National Gallery of Victoria

The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.

With over 76,000 works in its collection, the NGV has the largest collection of any Australian gallery. The NGV houses its collection across two sites: NGV International, located on St Kilda Road in the Melbourne Arts Precinct of Southbank, and the Ian Potter Centre: NGV Australia, located nearby at Federation Square. The NGV International building, designed by Sir Roy Grounds, opened in 1968, and was redeveloped by Mario Bellini before reopening in 2003. It houses the gallery's international art collection and is on the Victorian Heritage Register. The Ian Potter Centre: NGV Australia, designed by Lab Architecture Studio, opened in 2002 and houses the gallery's Australian art collection.

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👉 National Gallery of Victoria in the context of Monument to Balzac

Monument to Balzac is a sculpture by Auguste Rodin in memory of the French novelist Honoré de Balzac. According to Rodin, the sculpture aims to portray the writer's persona rather than a physical likeness. The work was commissioned in 1891 by the Société des Gens de Lettres and a full-size plaster model was displayed in 1898 at a Salon in Champ de Mars. After coming under criticism the model was rejected by the Société and Rodin moved it to his home in Meudon. On 2 July 1939 (22 years after the sculptor's death) the model was cast in bronze for the first time and placed on the Boulevard du Montparnasse at the intersection with Boulevard Raspail.

Casts and various studies of the sculpture are today in many different collections including the Ackland Art Museum, Middelheim Open Air Sculpture Museum in Antwerp, The Norton Simon Museum of Art, the National Museum of Western Art in Tokyo, the Musée Rodin in Meudon, the Rodin Museum in Philadelphia, the Hirshhorn Museum, the Hirschhorn Sculpture Garden (Smithsonian) in Washington D.C, The Metropolitan Museum of Art, the Museum of Modern Art in New York City, the National Gallery of Victoria in Melbourne, the Ashmolean Museum in Oxford, in front of the Van Abbemuseum, Eindhoven, Netherlands, in Caracas, Venezuela in the open spaces around the former Ateneo de Caracas, now UNEARTES and Balzac in the Robe of a Dominican Monk in Museo Soumaya in Mexico City. Today the artwork is sometimes considered the first truly modern sculpture.

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National Gallery of Victoria in the context of Tureen

A tureen is a serving dish for foods such as soups or stews, often shaped as a broad, deep, oval vessel with fixed handles and a low domed cover with a knob or handle. Over the centuries, tureens have appeared in many different forms: round, rectangular, or made into fanciful shapes such as animals or wildfowl. Tureens may be ceramic—either the glazed earthenware called faience, or porcelain—or silver, and customarily they stand on an undertray or platter made en suite.
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National Gallery of Victoria in the context of Paja Jovanović

Pavle "Paja" Jovanović (Serbian Cyrillic: Павле "Паја" Јовановић; IPA: [pâʋlɛ pǎːja jɔʋǎːnɔʋit͡ɕ]; 16 June 1859 – 30 November 1957) was a Serbian realist painter who painted more than 1,100 works including: The Wounded Montenegrin (1882), Decorating of the Bride (1886), The Takovo Uprising (1894), Migration of the Serbs (1896) and The Proclamation of Dušan's Law Codex (1900). As one of the best European painters of oriental scenes, Paja at the end of the 19th century turned to painting historical events of Serbian history. Paja was also the premier portraitist of Europe after 1905. He painted the Emperor Franz Joseph I of Austria 15 times. He painted royalty, major industrialists, scientists, bankers, oil barons and monopolists, including certain heirs to the Standard Oil fortune in the United States. He was a very sought-after portraitist world-wide, which made him incredibly wealthy in his lifetime. Many European and international museums carry his works, signed under various names including: Paul Joanowitch in the National Gallery of Victoria and also two portraits in the Utah Museum of Fine Arts, Paul Joanowits, Paul Ivanovitch, Paul Joanovitch, Paul Joanovitsch, P. Joanowitsch and others.

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National Gallery of Victoria in the context of Melbourne Arts Precinct

The Melbourne Arts Precinct is home to a series of galleries, performing arts venues and spaces located in the Southbank district of Melbourne, Victoria, Australia. It includes such publicly-funded venues as Arts Centre Melbourne, National Gallery of Victoria and Southbank Theatre, along with various offices and training institutions of arts organisations.

As of 2022 the precinct is undergoing a major transformation, including the build of Australia’s largest contemporary art gallery, The Fox: NGV Contemporary.

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National Gallery of Victoria in the context of Roy Grounds

Sir Roy Burman Grounds (18 December 1905 – 2 March 1981) was an Australian architect, based in Melbourne, Victoria. He is noted as often being at the forefront of the development of Modernism in Victoria - his work in the 1930s included buildings that were amongst the earliest influenced by the Modern movement, an influence continued in his 1950s houses, some based on pure geometric shapes. He was a member of the highly regarded partnership of Grounds, Romberg & Boyd from 1953 - 1963. His later work of the 1960s, such as the National Gallery of Victoria and the adjacent Victorian Arts Centre, cemented his legacy as a leader in Australian architecture.

Artist Marr Grounds (1930-2021) was his son.

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