Robert Edmond Jones (December 12, 1887 – November 26, 1954) was an American scenic, lighting, and costume designer.
He is credited with incorporating the new stagecraft into the American drama. His designs sought to integrate scenic elements into the storytelling instead of having them stand separate and indifferent from the play's action. His visual style, often referred to as simplified realism, combined bold vivid use of color and simple, yet dramatic, lighting.
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision.
In its most basic form, stagecraft may be executed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. Regional theaters and larger community theaters will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs.Within significantly larger productions, for example a modern Broadway show, effectively bringing a show to opening night requires the work of skilled carpenters, painters, electricians, stagehands, stitchers, wigmakers, and the like. Modern stagecraft is highly technical and specialized: it comprises many sub-disciplines and a vast trove of history and tradition.
Holiday is a 1928 play by Philip Barry which was twice adapted to film. The original play opened in New York on November 26, 1928, at the Plymouth Theatre and closed in June 1929, after 229 performances. It was directed by Arthur Hopkins, set design by Robert Edmond Jones, and costume design by Margaret Pemberton.