Robert Christgau in the context of Clauses


Robert Christgau in the context of Clauses

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⭐ Core Definition: Robert Christgau

Robert Thomas Christgau (/ˈkrɪstɡ/ KRIST-gow; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world—when he talks, people listen."

Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrated, fragmented prose style featuring layered clauses, caustic wit, one-liner jokes, political digressions, and allusions ranging from common knowledge to the esoteric. His writing is often informed by leftist politics (particularly feminism and secular humanism). He has generally favored song-oriented musical forms and qualities of wit and formal rigor, as well as musicianship from uncommon sources.

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Robert Christgau in the context of Music journalism

Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of the Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events.

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Robert Christgau in the context of Tony Williams (drummer)

Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer.Williams first gained fame as a member of Miles Davis' "Second Great Quintet", and later pioneered jazz fusion with Davis' group and his own combo, the Tony Williams Lifetime. In 1970, music critic Robert Christgau described him as "probably the best drummer in the world." Williams was inducted into the Modern Drummer Hall of Fame in 1986 and the Percussive Arts Society Hall of Fame in 1997.

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Robert Christgau in the context of Village Voice

The Village Voice is an American news and culture publication based in Greenwich Village, New York City, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, The Voice began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, The Voice reappeared in print as a quarterly in April 2021.

The Village Voice has received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. The Village Voice hosted a variety of writers and artists, including columnist and city editor Mary Perot Nichols, writer Ezra Pound, cartoonist Lynda Barry, artist Greg Tate, music critic Robert Christgau, and film critics Andrew Sarris, Jonas Mekas, and J. Hoberman.

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Robert Christgau in the context of New Journalism

New Journalism is a style of news writing and journalism which was developed in the 1960s and 1970s, that uses literary techniques previously seen as unconventional in news writing contexts. It is characterized by the presence of a subjective perspective and style that is reminiscent of long-form non-fiction. Through extensive imagery and observations, reporters interpolate subjective language within facts while immersing themselves in the stories as they report and write them. This differs from traditional journalism, where the journalist is "invisible"; facts are meant to be reported objectively.

The term was made popular by Tom Wolfe's 1973 collection of journalism articles he published named The New Journalism, which included works by himself, Truman Capote, Hunter S. Thompson, Norman Mailer, Joan Didion, Terry Southern, Robert Christgau, Gay Talese and others. The pieces from these writers were all long-form, narrative focused reports that used literary tools not seen in typical news writing.

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