Rhetoric

Word play or wordplay (also: play-on-words) is a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement. Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play The Importance of Being Earnest, Ernest being a given name that sounds exactly like the adjective earnest).

Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based (orthographic) word play are found in languages with or without alphabet-based scripts, such as homophonic puns in Mandarin Chinese.

Herodes Atticus (Ancient Greek: Ἡρώδης; AD 101–177) was an Athenian rhetorician, as well as a Roman senator. A great philanthropic magnate, he and his wife Appia Annia Regilla, for whose murder he was potentially responsible, commissioned many Athenian public works, several of which stand to the present day. He was one of the best-known figures of the Antonine Period, and taught rhetoric to the Roman emperors Marcus Aurelius and Lucius Verus, and was advanced to the consulship in 143. His full name as a Roman citizen was Lucius Vibullius Hipparchus Tiberius Claudius Atticus Herodes.

According to Philostratus, Herodes Atticus, in possession of the best education that money could buy, was a notable proponent of the Second Sophistic. Having gone through the cursus honorum of civil posts, he demonstrated a talent for civil engineering, especially the design and construction of water-supply systems. The Nymphaeum at Olympia was one of his dearest projects. However, he never lost sight of philosophy and rhetoric, becoming a teacher himself. One of his students was the young Marcus Aurelius, last of the "Five Good Emperors". M.I. Finley describes Herodes Atticus as "patron of the arts and letters (and himself a writer and scholar of importance), public benefactor on an imperial scale, not only in Athens but elsewhere in Greece and Asia Minor, holder of many important posts, friend and kinsman of emperors."

Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. Musical articulation is analogous to the articulation of speech, and during the Baroque and Classical periods it was taught by comparison to oratory.

Western music has a set of traditional articulations that were standardized in the 19th century and remain widely used. Composers are not limited to these, however, and may invent new articulations as a piece requires. When writing electronic and computer music, composers can design articulations from the ground up.

The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical approach to literary criticism. Bloom's central thesis is that poets are hindered in their creative process by the ambiguous relationship they necessarily maintain with precursor poets. While admitting the influence of extraliterary experience on every poet, he argues that "the poet in a poet" is inspired to write by reading another poet's poetry and will tend to produce work that is in danger of being derivative of existing poetry, and, therefore, weak. Because poets historically emphasize an original poetic vision in order to guarantee their survival into posterity, the influence of precursor poets inspires a sense of anxiety in living poets. Thus Bloom attempts to work out the process by which the small minority of 'strong' poets manage to create original work in spite of the pressure of influence. Such an agon (a vain attempt by a writer to resolve the conflict between his ideas and those of a much more influential predecessor), Bloom argues, depends on six revisionary ratios, which reflect Freudian and quasi-Freudian defense mechanisms, as well as the tropes of classical rhetoric.

Before writing this book, Bloom spent a decade studying the Romantic poets of the early nineteenth century. This is reflected in the emphasis given to those poets and their struggle with the influence of John Milton, Robert Burns, and Edmund Spenser. Other poets analyzed range from Lucretius and Dante to Walt Whitman, Wallace Stevens, and John Ashbery. In The Anxiety of Influence and other early books, Bloom claimed that influence was particularly important for post-enlightenment poets. Conversely, he suggested that influence might have been less of a problem for such poets as Shakespeare and Ben Jonson. Bloom later changed his mind, and the most recent editions of The Anxiety of Influence include a preface claiming that Shakespeare was troubled early in his career by the influence of Christopher Marlowe. The book itself is divided into six major categories, called "six revisionary ratios" by Bloom. They are clinamen, tessera, kenosis, daemonization, askesis, and apophrades.

Lucius Annaeus Seneca the Elder (/ˈsɛnɪkə/ SEN-ik-ə; c. 54 BC – c. AD 39), also known as Seneca the Rhetorician, was a Roman writer, born of a wealthy equestrian family of Corduba, Hispania. He wrote a collection of reminiscences about the Roman schools of rhetoric, six books of which are extant in a more or less complete state and five others in epitome only. His principal work, a history of Roman affairs from the beginning of the Civil Wars until the last years of his life, is almost entirely lost to posterity. Seneca lived through the reigns of three significant emperors; Augustus (ruled 27 BC – 14 AD), Tiberius (ruled 14–37 AD) and Caligula (ruled 37–41 AD). He was the father of Lucius Junius Gallio Annaeanus, best known as a Proconsul of Achaia; his second son was the dramatist and Stoic philosopher Seneca the Younger (Lucius), who was tutor of Nero, and his third son, Marcus Annaeus Mela, became the father of the poet Lucan.

Media studies is a discipline and field of study that deals with the content, history, and effects of various media; in particular, the mass media. Media studies may draw on traditions from both the social sciences and the humanities, but it mostly draws from its core disciplines of mass communication, communication, communication sciences, and communication studies.

Researchers may also develop and employ theories and methods from disciplines including cultural studies, rhetoric (including digital rhetoric), philosophy, literary theory, psychology, political science, political economy, economics, sociology, anthropology, social theory, art history and criticism, film theory, and information theory.

Lucian of Samosata (Λουκιανὸς ὁ Σαμοσατεύς, c. 125 – after 180) was a Hellenized Syrian satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period).

Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration The Dream, he was the son of a lower middle class family from the city of Samosata along the banks of the Euphrates in the remote Roman province of Syria. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an education in Ionia. He may have become a travelling lecturer and visited universities throughout the Roman Empire. After acquiring fame and wealth through his teaching, Lucian finally settled down in Athens for a decade, during which he wrote most of his extant works. In his fifties, he may have been appointed as a highly paid government official in Egypt, after which point he disappears from the historical record.

Himerius (Ancient Greek: Ἱμέριος; c. 315 – c. 386) was a Greek sophist and rhetorician. 24 of his orations have reached us complete, and fragments of 12 others survive.

Claudius Aelianus (Ancient Greek: Κλαύδιος Αἰλιανός, romanized: Klaúdios Ailianós; c. 175 – c. 235 AD), commonly Aelian (/ˈiːliən/), born at Praeneste, was a Roman author and teacher of rhetoric who flourished under Septimius Severus and probably outlived Elagabalus, who died in 222. He spoke Greek so fluently that he was called "honey-tongued" (μελίγλωσσος meliglossos); Roman-born, he preferred Greek authors, and wrote in a slightly archaizing Greek himself.

His two chief works are valuable for the numerous quotations from the works of earlier authors, which are otherwise lost, and for the surprising lore, which offers unexpected glimpses into the Greco-Roman world-view. De Natura Animalium is also the only Greco-Roman work to mention Gilgamesh.

Institutio Oratoria (English: Institutes of Oratory) is a twelve-volume textbook on the theory and practice of rhetoric by Roman rhetorician Quintilian. It was published around year 95 AD. The work deals also with the foundational education and development of the orator himself.