Repatriation (cultural property) in the context of "Repatriation and reburial of human remains"

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⭐ Core Definition: Repatriation (cultural property)

Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners (or their heirs).

The disputed cultural property items are physical artifacts of a group or society taken by another group, usually in the act of looting, whether in the context of imperialism, colonialism, or war. The contested objects vary widely and include sculptures, paintings, monuments, objects such as tools or weapons for purposes of anthropological study, and human remains.

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Repatriation (cultural property) in the context of British Museum

The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present. Established in 1753, the British Museum was the first public national museum. In 2023, the museum received 5,820,860 visitors. At least one group rated it the most popular attraction in the United Kingdom.

At its beginning, the museum was largely based on the collections of the Anglo-Irish physician and scientist Sir Hans Sloane. It opened to the public in 1759, in Montagu House, on the site of the current building. The museum's expansion over the following 250 years was largely a result of British colonisation and resulted in the creation of several branch institutions, or independent spin-offs, the first being the Natural History Museum in 1881. Some of its best-known acquisitions, such as the Greek Elgin Marbles and the Egyptian Rosetta Stone, are subject to long-term disputes and repatriation claims.

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Repatriation (cultural property) in the context of Wintun

The Wintun are members of several related Native American peoples of Northern California, including the Wintu (northern), Nomlaki (central), and Patwin (southern). Their range is from approximately present-day Lake Shasta to San Francisco Bay, along the western side of the Sacramento River to the Coast Range. Each of these tribes speak one of the Wintuan languages. Linguistic and archaeological evidence suggests that the Wintun people probably entered the California area around 500 AD from what is now southern Oregon, introducing bow and arrow technology to the region (Golla 2011: 205). There has been carbon dating of several artifacts by UC Berkeley that dates back to around 10,000 years, and several of these artifacts have now been repatriated. Despite being a major influence on the region's history, there is still very little history on the Wintu due to centuries of genocide and displacement that still occur today along with continued destruction of sacred ceremonial and religious sites, often due to companies that ignore legal or ethical considerations.

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Repatriation (cultural property) in the context of Protest song

A protest song is a song that is associated with a movement for protest and social change and hence part of the broader category of topical songs (or songs connected to current events). It may be folk, classical, or commercial in genre.

Among social movements that have an associated body of songs are the abolition movement, prohibition, women's suffrage, the labour movement, the human rights movement, civil rights, the Native American rights movement, the Jewish rights movement, disability rights, the anti-war movement and 1960s counterculture, art repatriation, opposition against blood diamonds, abortion rights, the feminist movement, the sexual revolution, the LGBT rights movement, masculism, animal rights movement, vegetarianism and veganism, gun rights, legalization of marijuana and environmentalism.

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