Rembrandt Harmenszoon van Rijn in the context of "Printmaker"

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⭐ Core Definition: Rembrandt Harmenszoon van Rijn

Rembrandt Harmenszoon van Rijn (/ˈrɛmbrænt, ˈrɛmbrɑːnt/; Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in the history of Western art. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings, and several hundred drawings.

Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological subjects and animal studies. His contributions to art came in a period that historians call the Dutch Golden Age.

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Rembrandt Harmenszoon van Rijn in the context of Gerbrand van den Eeckhout

Gerbrand van den Eeckhout (19 August 1621 – 29 September 1674) was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.

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Rembrandt Harmenszoon van Rijn in the context of Painterly

Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art.

A painting is said to be painterly when there are visible brushstrokes in the final work – the result of applying paint in a manner that is not entirely controlled, generally without closely following carefully drawn lines. Any painting media – oils, acrylics, watercolors, gouache, etc. – can produce either linear or painterly work. Some artists whose work could be characterized as painterly are Pierre Bonnard, Francis Bacon, Vincent van Gogh, Rembrandt, Renoir, John Singer Sargent, and Andrew Wyeth (his early watercolors). The Impressionists, Fauvists and the Abstract Expressionists tended strongly to be painterly.

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