Rape of the Sabine women in the context of "Roman unification of Italy"

The Roman expansion in Italy covers a series of conflicts in which Rome grew from being a small Italian city-state to be the ruler of the Italian region. Roman tradition attributes to the Roman kings the first war against the Sabines and the first conquests around the Alban Hills and down to the coast of Latium. The birth of the Roman Republic after the overthrow of the Etruscan monarch of Rome in 509 BC began a series of major wars between the Romans and the Etruscans. In 390 BC, Gauls from the north of Italy sacked Rome. In the second half of the 4th century BC Rome clashed repeatedly with the Samnites, a powerful tribal coalition of the Apennine region.

By the end of these wars, Rome had become the most powerful state in central Italy and began to expand to the north and to the south. The last threat to Roman hegemony came during the Pyrrhic War (280–275 BC) when Tarentum enlisted the aid of the Greek king Pyrrhus of Epirus to campaign in the North of Italy. Resistance in Etruria was finally crushed in 265–264 BC, the same year the First Punic War began and brought Roman forces outside of the peninsula for the first time. Starting from the First Punic War (264–241 BC) the territories subject to Roman rule also included Sicily (241 BC), Sardinia and Corsica (238 BC), islands transformed into provinces.

Seven Brides for Seven Brothers is a 1954 American musical film, directed by Stanley Donen, with music by Gene de Paul, lyrics by Johnny Mercer, and choreography by Michael Kidd. The screenplay, by Albert Hackett, Frances Goodrich, and Dorothy Kingsley, is based on the short story "The Sobbin' Women" by Stephen Vincent Benét, which was based in turn on the ancient Roman legend of the Rape of the Sabine women. Seven Brides for Seven Brothers, which is set in Oregon in 1850, is particularly known for Kidd's unusual choreography, which makes dance numbers out of such mundane frontier pursuits as chopping wood and raising a barn. Film critic Stephanie Zacharek has called the barn-raising sequence in Seven Brides "one of the most rousing dance numbers ever put on screen." The film was photographed in Ansco Color in the CinemaScope format.

Seven Brides for Seven Brothers won the Academy Award for Best Scoring of a Musical Picture and was nominated for four additional awards, including Best Picture. In 2006, American Film Institute named Seven Brides for Seven Brothers as one of the best American musical films ever made. In late 2004, the same year Howard Keel died, Seven Brides for Seven Brothers was selected for preservation in the U.S. National Film Registry of the Library of Congress as being "culturally, historically, or aesthetically significant."