Rangoli in the context of "Diwali"

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⭐ Core Definition: Rangoli

Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in some Hindu households; however, making it is mostly reserved for festivals and other important celebrations, as rangolis are time-consuming. Rangolis are usually made during Diwali or Tihar, Onam, Pongal, Ugadi and other Hindu festivals in the Indian subcontinent, and are most often made during Diwali. Designs are passed from one generation to the next, keeping both the art form and the tradition alive.

Rangoli have different names based on the state and culture. Rangoli hold a significant role in the everyday life of a Hindu household, especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. Traditionally, the postures needed to make a rangoli are a kind of exercise for women to straighten their spines. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck).

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Rangoli in the context of Om

Om (or Aum; listen; Sanskrit: ॐ, ओम्, romanizedOṃ, Auṃ, ISO 15919: Ōṁ) is a polysemous symbol representing a sacred sound, seed syllable, mantra, and invocation in Hinduism as well as in other Indian religions. Its written form is the most important symbol in the Hindu religion. It is the essence of the supreme Absolute, consciousness, Ātman, Brahman, or the cosmic world. In Indian religions, Om serves as a sonic representation of the divine, a standard of Vedic authority and a central aspect of soteriological doctrines and practices. It is the basic tool for meditation in the yogic path to liberation. The syllable is often found at the beginning and the end of chapters in the Vedas, the Upanishads, and other Hindu texts. It is described as the goal of all the Vedas.

Om emerged in the Vedic corpus and is said to be an encapsulated form of Samavedic chants or songs. It is a sacred spiritual incantation made before and during the recitation of spiritual texts, during puja and private prayers, in ceremonies of rites of passage (samskara) such as weddings, and during meditative and spiritual activities such as Pranava yoga. It is part of the iconography found in ancient and medieval era manuscripts, temples, monasteries, and spiritual retreats in Hinduism, Buddhism, Jainism, and Sikhism. As a syllable, it is often chanted either independently or before a spiritual recitation and during meditation in Hinduism, Buddhism, and Jainism.

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Rangoli in the context of Sandpainting

Sandpainting is the art of pouring coloured sands, and powdered pigments from minerals or crystals, or pigments from other natural or synthetic sources onto a surface to make a fixed or unfixed sand painting. Unfixed sand paintings have a long established cultural history in numerous social groupings around the globe, and are often temporary, ritual paintings prepared for religious or healing ceremonies. This form of art is also referred to as drypainting.

Drypainting is practised by Native Americans in the Southwestern United States, by Tibetan and Buddhist monks, as well as Indigenous Australians, and also by Latin Americans on certain Christian holy days.

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