Raga in the context of "Progressive pop"

Pir Waris Shah (Punjabi: وارث شاہ (Shahmukhi); 1722 – 1798) was an 18th-century Punjabi Muslim Sufi poet of the Chishti order, known popularly for his contribution to Punjabi literature.

He is primarily known as the author of the Heer Ranjha love poem. It's about one of the most popular tragic romances of Punjab. Traditionally, this love poem is recited in bhairavi raga and this continues to be done even today.

Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic (Sampurna) raga of Bhairavi thaat. In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes.

Hindu music is music created for or influenced by Hinduism. It includes Indian classical music, Kirtan, Bhajan and other musical genres. Raagas are a common form of Hindu music in classical India.

The most common Hindu bhajan in North India is "Om Jai Jagdish Hare." The names of Gods are religiously chanted, often including Vishnu and his incarnations, Shiva and the Goddess (Parvati, Shakti, Vaishnodevi).

Bhairavi is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat.

Indian classical music is the classical music of the Indian subcontinent. It is generally described using terms like Shastriya Sangeet and Marg Sangeet. It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is Odissi music, which has evolved over the last two thousand years.

The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient Natyashastra, the classic Sanskrit text on performing arts by Bharata Muni. The 13th century Sanskrit text Sangeeta-Ratnakara of Sarangadeva is regarded as the definitive text by both the Hindustani music and the Carnatic music traditions.

Bahar is a Hindustani classical raga. This raga is very similar (but still distinct) to raga Miyan ki Malhar. This raga is from the Kafi Thaat.

Sahana (pronounced sahānā) is a popular ragam (musical scale) in Carnatic music. It is a janya rāgam (derived scale) associated with the 28th Melakarta rāgam Harikambhoji.

The Hindustani music ragam Sahana is an upper-tetrachord-dominant Kanada-anga raga, from the Kafi thaat, also allied with Bageshree and Bhimpalasi. The shuddha Dhaivat is an important rest note (nyaas swara).

Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol.

According to Indian classical vocalist Pandit Jasraj, Malkauns is a raga that is "sung during small hours of the morning, just after midnight." He further adds that the raga has a soothing and intoxicating effect.

Darbari Kanada, or simply Raga Darbari (pronounced darbāri kānada), is a raga in Hindustani music. It is a janya ragam (derived scale) of 20th Melakarta raga Natabhairavi. It is believed to be borrowed into Hindustani classical music by Miyan Tansen, the famous 16th-century composer in the Mughal emperor Akbar's court. It belongs to the Kanada family. It is believed that the Mughal emperor Akbar was very fond of this raaga. Hence often made Miyan Tansen sing this raaga in his court. This is reflected in the name itself; Darbar is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or pure Kanada. It belongs to the Asavari thaat. This raag is called raaga Kaanada in Yakshagana Karnataka state dance. It is also sometimes written as Durbari and Durbarikanada.