Indus Valley civilization in the context of "Lost-wax casting"

⭐ In the context of lost-wax casting, the Indus Valley civilization is considered to have demonstrated early proficiency in this technique with the discovery of what type of artifact at Mehrgarh?

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⭐ Core Definition: Indus Valley civilization

The Indus Valley Civilisation (IVC), also known as the Indus Civilisation, was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form from 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilisations of the Near East and South Asia. Of the three, it was the most widespread: it spanned much of Pakistan, northwestern India, and northeast Afghanistan. The civilisation flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan, and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan.

The term Harappan is also applied to the Indus Civilisation, after its type site Harappa, the first to be excavated early in the 20th century in what was then the Punjab province of British India and is now Punjab, Pakistan. The discovery of Harappa and soon afterwards Mohenjo-daro was the culmination of work that had begun after the founding of the Archaeological Survey of India in the British Raj in 1861. There were earlier and later cultures called Early Harappan and Late Harappan in the same area. The early Harappan cultures were populated from Neolithic cultures, the earliest and best-known of which is named after Mehrgarh, in Balochistan, Pakistan. Harappan civilisation is sometimes called Mature Harappan to distinguish it from the earlier cultures.

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👉 Indus Valley civilization in the context of Lost-wax casting

Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.

The oldest known examples of this technique are approximately 6,500 years old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in present-day Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predominate.

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Indus Valley civilization in the context of Enkidu

Enkidu (Sumerian: 𒂗𒆠𒄭 EN.KI.DU10) was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian Epic of Gilgamesh, written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems.

There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natural world. Though equal to Gilgamesh in strength and bearing, he acts in some ways as an antithesis to the cultured, city-bred warrior-king.

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Indus Valley civilization in the context of Prehistoric music

Prehistoric music (previously called primitive music) is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas. However, it is more common to refer to the "prehistoric" music which still survives as folk, indigenous or traditional music. Prehistoric music is studied alongside other periods within music archaeology.

Findings from Paleolithic archaeology sites suggest that prehistoric people used carving and piercing tools to create instruments. Archeologists have found Paleolithic flutes carved from bones in which lateral holes have been pierced. The disputed Divje Babe flute, a perforated cave bear femur, is at least 40,000 years old. Instruments such as the seven-holed flute and various types of stringed instruments, such as the Ravanahatha, have been recovered from the Indus Valley civilization archaeological sites.

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Indus Valley civilization in the context of Harappan language

The Harappan language, also known as the Indus language, is the unknown language or languages of the Bronze Age (c. 3300 to 1300 BC) Harappan civilization (Indus Valley civilization, or IVC). The Harappan script is yet undeciphered, indeed it has not even been demonstrated to be a writing system, and therefore the language remains unknown. The language being yet unattested in readable contemporary sources, hypotheses regarding its nature are based on possible loanwords, the substratum in Vedic Sanskrit, and some terms recorded in Sumerian cuneiform (such as Meluhha), in conjunction with analyses of the Harappan script.

There are some possible loanwords from the language of the Indus Valley civilization. Meluḫḫa or Melukhkha (Sumerian: 𒈨𒈛𒄩𒆠 Me-luḫ-ḫa) is the Sumerian name of a prominent trading partner of Sumer during the Middle Bronze Age. Its identification remains an open question, but most scholars associate it with the Indus Valley Civilisation. Asko Parpola identifies Proto-Dravidians with the Harappan Culture and the Meluhhan people mentioned in Sumerian records. In his book Deciphering the Indus Script, Parpola states that the Brahui people of Pakistan are remnants of the Harappan culture. According to him, the word "Meluhha" derives from the Dravidian words mel ("elevated") and akam ("place"). Parpola also relates Meluhha with Balochistan, which he calls the "Proto-Dravidian homeland". He also relates Meluhha with the transient word Mleccha, a Vedic word used to mean "barbarian" and used by the incoming Aryan speaking population for the native Harappan population.

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Indus Valley civilization in the context of Genetic history of South Asia

Genetics and archaeogenetics of South Asia is the study of the genetics and archaeogenetics of the ethnic groups of South Asia. It aims at uncovering these groups' genetic histories. The geographic position of the Indian subcontinent makes its biodiversity important for the study of the early dispersal of anatomically modern humans across Asia.

Based on mitochondrial DNA (mtDNA) variations, genetic unity across various South Asian subpopulations have shown that most of the ancestral nodes of the phylogenetic tree of all the mtDNA types originated in the subcontinent. Conclusions of studies based on Y chromosome variation and autosomal DNA variation have been varied.

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Indus Valley civilization in the context of Lothal

Lothal (Gujarati pronunciation: [lot̪ʰəl]) was one of the southernmost sites of the ancient Indus Valley civilisation, located in the Bhal region of the Indian state of Gujarat. Construction of the city is believed to have begun around 2300 BCE.

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Indus Valley civilization in the context of Gola Dhoro

Gola Dhoro is an archaeological site belonging to Indus Valley civilization, situated at the head of the Gulf of Kutch, near Bagasara in Kutch district of Gujarat, India. The site contains a small fortified area of approximately 50x50 m with living quarters and manufacturing sites both inside and outside this area.

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Indus Valley civilization in the context of Tourism in Pakistan

Tourism in Pakistan is a growing industry. In 2010, Lonely Planet termed Pakistan "tourism's 'next big thing'". The country is geographically and ethnically diverse, and has a number of historical and cultural heritage sites. Condé Nast Traveller ranked Pakistan The Best Holiday Destination for 2020 and also declared it the third-highest potential adventure destination in the world for 2020. As security in the country improves, tourism increases; in two years, it has increased by more than 300%.

In 2018, the British Backpacker Society ranked Pakistan the world's top adventure travel destination, describing the country as "one of the friendliest countries on earth, with mountain scenery that is beyond anyone's wildest imagination". Forbes ranked Pakistan as one of the ‘coolest places’ to visit in 2019. The World Economic Forum's Travel and Tourism Competitiveness Report placed Pakistan in the top 25 percent of global destinations for its World Heritage Sites, which range from the mangroves in the Indus delta to the Indus Valley civilization sites including Mohenjo-daro and Harappa.

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