Quentin Matsys (UK: /ˈmætsaɪs/ MAT-sysse, US: /ˈmɑːtsaɪs/ MAHT-sysse; also Massys or Metsys; Flemish: Quinten Matsijs [ˈkʋɪntə ˈmɑtsɛis]; 1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. According to tradition, he trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots and satirical tendencies. He is regarded as the founder of the Antwerp school of painting, which became the leading school of painting in Flanders in the 16th century. He introduced new techniques and motifs as well as moralising subjects without completely breaking with tradition.
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👉 Quentin Matsys in the context of Civil law notary
Civil-law notaries, or Latin notaries, are lawyers of noncontentious private civil law who draft, take, and record legal instruments for private parties, provide legal advice and give attendance in person, and are vested as public officers with the authentication power of the State. As opposed to most notaries public, their common-law counterparts, civil-law notaries are highly trained, licensed practitioners providing a full range of regulated legal services, and whereas they hold a public office, they nonetheless operate usually—but not always—in private practice and are paid on a fee-for-service basis. They often receive generally the same education as attorneys at civil law with further specialised education but without qualifications in advocacy, procedural law or the law of evidence, somewhat comparable to a solicitor training in certain common-law countries. However, notaries only deal with non-contentious matters, as opposed to solicitors who may deal with both contentious and non-contentious matters.
Civil-law notaries are limited to areas of private law, that is, domestic law which regulates the relationships between individuals and in which the State is not directly concerned. The most common areas of practice for civil-law notaries are in residential and commercial conveyancing and registration, contract drafting, company formation, successions and estate planning, and powers of attorney. Ordinarily, they have no authority to appear in court on their client's behalf; their role is limited to drafting, authenticating, and registering certain types of transactional or legal instruments. In some countries, such as the Netherlands, France, Italy, or Québec (Canada) among others, they also retain and keep a minute copy of their instruments—in the form of memoranda—in notarial protocols, or archives.
In this Dossier
Quentin Matsys in the context of Ugliness
Unattractiveness or ugliness is the degree to which a person's physical features are considered aesthetically unfavorable.
Quentin Matsys in the context of Royal Museum of Fine Arts, Antwerp
The Royal Museum of Fine Arts Antwerp (Dutch: Koninklijk Museum voor Schone Kunsten Antwerpen; KMSKA) is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.
The neoclassical building housing the collection is one of the primary landmarks of the Zuid district of Antwerp. The majestic building was designed by Jean-Jacques Winders (1849–1936) and Frans Van Dijk (1853–1939), built beginning in 1884, opened in 1890, and completed in 1894. Sculpture on the building includes two bronze figures of Pheme with horse-drawn chariots by sculptor Thomas Vincotte, and seven rondel medallions of artists that include Boetius à Bolswert, Frans Floris, Jan van Eyck, Peter Paul Rubens, Quentin Matsys, Erasmus Quellinus II, and Appelmans, separated by four monumental sculptures representing Architecture, Painting, Sculpture, and Graphics.