The Salon, or sometimes Paris Salon (French: Salon de Paris [salɔ̃ d(ə) paʁi]), beginning in 1667, was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.
At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it was managed by the Société des Artistes Français.
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Théodore Jacques Ralli or Theodorus Rallis (full name: Theodoros Rallis-Scaramanga; Greek: Θεόδωρος Ράλλης; Constantinople, 16 February 1852 – 2 October 1909, Lausanne) was a Greek painter, watercolourist and draughtsman, who spent most of his working life in France, Greece and Egypt. Ralli was an Academic, Orientalist and Impressionist painter. He painted genre works, portraits, local figures, architectural subjects, interiors with figures and animals. Ralli is known for his orientalist paintings and paintings of Greek everyday life. Ralli was from a wealthy Greek family known as the Ralli family. They were one of the wealthiest and most successful Greek merchant families of the 19th century, and the Ralli company was operated primarily by the extended family. They had operations spanning the entire world. Maria Katsanaki’s 2007 dissertation features a catalog of over 400 paintings attributed to Ralli. Most of his works are in private collections. Rallis was a student of Jean-Léon Gérôme and Jean-Jules-Antoine Lecomte du Nouy, both painters were orientalist, and Gérôme also painted in the style known as academicism. Ralli was considered one of Gérôme's best students. His work The Booty drew inspiration from Gérôme's The Slave Market.
Ralli was born in Constantinople, which is now known as Istanbul, to a Greek family originally from Chios on his father Iakovos' side; his mother Katina was from the Greek island Syros. From a young age, he was interested in painting, but due to his family's opposition to a professional painting career, he went to work for the Ralli family business in London until his father's death in 1871. He travelled to Paris as early as 1873 and learned painting, showing an interest in academicism and oriental art, although some of his works reveal Impressionism. In 1875, his works were accepted and exhibited by the prestigious Paris Salon. The young painter also became a member of the Société des Artistes Français and maintained a studio in Paris for the remainder of his life. After 1879, Rallis travelled to London and exhibited his works at the Royal Academy in London and continued an affiliation with the institution throughout his life.
Pierre-Eugène-Émile Hébert (October 12 or 20, 1823 – 1893) was a French sculptor. As the son of sculptor Pierre Hébert, he studied with his father and Jean-Jacques Feuchère (1807–1852). Émile Hébert participated in the Salon de Paris and the Exposition Universelle (1855), creating the allegorical statues La Comédie and Le Drame for the vaudeville theatre in Paris. He was awarded a Second Class Medal in 1872. Émile Hébert was one of the few sculptors to collaborate with the renowned bronze fondeur Georges Servant, resulting in pieces in the Neo-Grecian and Egyptian Revival styles.
The Académie royale de peinture et de sculpture (French: [akademi ʁwajal də pɛ̃tyʁ e də skyltyʁ]; English: "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions.
The Slave Market (French: Le Marché d'esclaves) is an 1866 painting by the French artist Jean-Léon Gérôme. It depicts a Middle Eastern or North African setting where a man inspects the teeth of a nude, female Abyssinian slave in the context of the Barbary slave trade.
The painting was bought by Adolphe Goupil on 23 August 1866 and exhibited at the Salon in 1867. It was bought and sold several times until Robert Sterling Clark bought it in 1930. Since 1955 it is part of the Clark Art Institute's collection.
The Société des Artistes Français (French pronunciation: [sɔsjete dez‿aʁtist(ə) fʁɑ̃sɛ], meaning "Society of French Artists") is the association of French painters and sculptors established in 1881. Its annual exhibition is called the "Salon des artistes français" (not to be confused with the better-known Salon, established in 1667).
When the Société was established, it associated all the French artists. Its president was a painter and its vice-president a sculptor. The main task of the Société is to organize the Salon, since the French government ceased to do it.
Jacques-Louis David (French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself to Brussels, then in the United Kingdom of the Netherlands, where he remained until his death. David had many pupils, making him the strongest influence in French art of the early 19th century, especially academic Salon painting.
Honoré-Victorin Daumier (French: [ɔnɔʁe domje]; February 26, 1808 – February 10 or 11, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870. He earned a living producing caricatures and cartoons in newspapers and periodicals such as La Caricature and Le Charivari, for which he became well known in his lifetime and is still remembered today. He was a republican democrat (working class liberal), who satirized and lampooned the monarchy, aristocracy, clergy, politicians, the judiciary, lawyers, police, detectives, the wealthy, the military, the bourgeoisie, as well as his countrymen and human nature in general.
Daumier was a serious painter, loosely associated with realism, sometimes blurring the boundaries between caricature and fine art. Although he occasionally exhibited at the Parisian Salon, his paintings were largely overlooked and ignored by the French public and critics of the day. Yet Daumier's fellow painters, as well as the poet and art critic Charles Baudelaire, noticed and greatly admired his work. Later generations would recognize Daumier as one of the great French artists of the 19th century, profoundly influencing a younger generation of impressionist and postimpressionist painters. Daumier was a tireless and prolific artist and produced more than 100 sculptures, 500 paintings, 1,000 drawings, 1,000 wood engravings, and 4,000 lithographs.
Oscar-Claude Monet (UK: /ˈmɒneɪ/, US: /moʊˈneɪ, məˈ-/; French: [klod mɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, Sunrise (Impression, soleil levant), which was exhibited in 1874 at the First Impressionist Exhibition, initiated by Monet and a number of like-minded artists as an alternative to the Salon.
Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mother, but she died in January 1857 when he was sixteen years old, and he was sent to live with his childless, widowed but wealthy aunt, Marie-Jeanne Lecadre. He went on to study at the Académie Suisse, and under the academic history painter Charles Gleyre, where he was a classmate of Auguste Renoir. His early works include landscapes, seascapes, and portraits, but attracted little attention. A key early influence was Eugène Boudin, who introduced him to the concept of plein air painting. From 1883, Monet lived in Giverny, also in northern France, where he purchased a house and property and began a vast landscaping project, including a water-lily pond.