Quadruplex videotape in the context of Redwood City, California


Quadruplex videotape in the context of Redwood City, California

⭐ Core Definition: Quadruplex videotape

2-inch quadruplex videotape (also called 2" quad video tape or quadraplex) was the first practical and commercially successful analog recording video tape format. The format uses 2-inch-wide (51 mm) magnetic tape and was developed and released for the broadcast television industry in 1956 by Ampex, an American company based in Redwood City, California. The first videotape recorder using this format was built the same year. This format revolutionized broadcast television operations and television production, since the only recording medium available to the TV industry until then was motion picture film.

Since most United States network broadcast delays by the television networks at the time used kinescope film that took time to develop, the networks wanted a more practical, cost-effective, and quicker way to time-shift television programming for later airing in Western time zones than the expensive and time-consuming processing and editing of film. Faced with these challenges, broadcasters sought to adapt magnetic tape recording technology (already used for audio recording) for use with television as well. By 1954 the television industry in the US was consuming more film stock than all Hollywood studios combined.

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Quadruplex videotape in the context of Video tape recorder

A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.

An agreement by Japanese manufacturers on a common standard recording format, which allowed cassettes recorded on one manufacturer's machine to play on another's, made a consumer market possible; and the first consumer videocassette recorder, which used the U-matic format, was introduced by Sony in 1971.

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Quadruplex videotape in the context of 1" type C videotape

1-inch Type C Helical Scan or SMPTE C is a professional reel-to-reel analog recording helical scan videotape format co-developed by Ampex and Sony in 1976. The format uses 1-inch-wide (25 mm) tape and became the replacement in the professional video and broadcast television industries for the then-incumbent 2-inch-wide (51 mm) quadruplex videotape open-reel format. Additionally, it replaced the unsuccessful type A format, also developed by Ampex, and primarily in mainland Europe, it supplemented the type B format, developed by the Fernseh division of Bosch.

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Quadruplex videotape in the context of U-matic

34-inch Type E Helical Scan or SMPTE E is an analog recording videocassette format marketed by Sony Electronics Corporation, Matsushita Electric Industrial Co. (Panasonic) and Victor Co. of Japan (JVC). It was initially developed by Sony and shown as a prototype in October 1969, refined and standardized among the three manufacturers in March 1970, and introduced commercially in September 1971 by Sony. The format was branded U-matic by Sony, U-Vision by Panasonic and U-VCR by JVC, referring to the U-shaped tape path as it threads around the video drum.

The format was among the earliest video formats to house videotape inside a cassette, replacing the reel-to-reel systems common at the time. The format uses 34-inch-wide (19 mm) tape, earning it the nickname "three-quarter-inch" or simply "three-quarter," in contrast to larger open-reel formats like 1 in (25 mm) Type C videotape and 2 in (51 mm) quadruplex videotape.

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Quadruplex videotape in the context of Kinescope

Kinescope /ˈkɪnɪskp/, shortened to kine /ˈkɪni/, also known as telerecording in Britain, is a recording of a television program on motion picture film directly through a lens focused on the screen of a video monitor. The process was pioneered during the 1940s for the preservation, re-broadcasting, and sale of television programs before the introduction of quadruplex videotape, which from 1956 eventually superseded the use of kinescopes for all of these purposes. Kinescopes were the only practical way to preserve live television broadcasts prior to videotape.

Typically, the term can refer to the process itself, the equipment used for the procedure (a movie camera mounted in front of a video monitor and synchronized to the monitor's scanning rate), or a film made using the process. Film recorders are similar, but record source material from a computer system instead of a television broadcast. A telecine is the inverse device, used to show film directly on television.

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