Pylon (architecture) in the context of "Ancient Egyptian temple"

Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated. Within them, the Egyptians performed the central rituals of Egyptian religion: giving offerings to the gods, reenacting their mythology through festivals, and warding off the forces of chaos. These rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Caring for the gods was the obligations of pharaohs, who dedicated prodigious resources to temple construction and maintenance. Pharaohs delegated most of their ritual duties to priests, but most of the populace was excluded from direct participation in ceremonies and forbidden to enter a temple's most sacred areas. Nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance.

The most important part of the temple was the sanctuary, which typically contained a cult image of its god. The rooms outside the sanctuary grew larger and more elaborate over time, so that temples evolved from small shrines in late Prehistoric Egypt (late fourth millennium BC) to large stone edifices in the New Kingdom (c. 1550–1070 BC) and later. These edifices are among the largest and most enduring examples of ancient Egyptian architecture, with their elements arranged and decorated according to complex religious symbolism. Their typical layout comprised a series of enclosed halls, open courts, and entrance pylons aligned along the path used for festival processions. Beyond the temple proper was an outer wall enclosing secondary buildings.

The Karnak Temple Complex, commonly known as Karnak (/ˈkɑːr.næk/), comprises a vast mix of temples, pylons, chapels, and other buildings near Luxor, Egypt. Construction at the complex began during the reign of Senusret I (reigned 1971–1926 BC) in the Middle Kingdom (c. 2000–1700 BC) and continued into the Ptolemaic Kingdom (305–30 BC), although most of the extant buildings date from the New Kingdom. The area around Karnak was the ancient Egyptian Ipet-isut ("The Most Selected of Places") and the main place of worship of the 18th Dynastic Theban Triad, with the god Amun as its head.

It is part of the monumental city of Thebes, and in 1979 it was added to the UNESCO World Heritage List along with the rest of the city. Karnak gets its name from the nearby, and partly surrounded, modern village of El-Karnak, 2.5 kilometres (1.6 miles) north of Luxor.

The Cenotaph is a war memorial on Whitehall in London, England. Designed by Sir Edwin Lutyens, it was unveiled in 1920 as the United Kingdom's national memorial to the dead of Britain and the British Empire of the First World War, was rededicated in 1946 to include those of the Second World War, and has since come to represent the Commonwealth casualties from those and subsequent conflicts. The word cenotaph is derived from Greek, meaning 'empty tomb'. Most of the dead were buried close to where they fell; thus, the Cenotaph symbolises their absence and is a focal point for public mourning. The original temporary Cenotaph was erected in 1919 for a parade celebrating the end of the First World War, at which more than 15,000 servicemen, including French and American soldiers, saluted the monument. More than a million people visited the site within a week of the parade.

Calls for the Cenotaph to be rebuilt in permanent form began almost immediately. After some debate, the government agreed and construction work began in May 1920. Lutyens added entasis (curvature) but otherwise made minimal design alterations. The Cenotaph is built from Portland stone. It takes the form of a tomb chest atop a rectangular pylon, which diminishes as it rises. Three flags hang from each of the long sides. The memorial is austere, containing almost no decoration. The permanent Cenotaph was unveiled by King George V on 11 November 1920 in a ceremony combined with the repatriation of the Unknown Warrior, an unidentified British serviceman to be interred in Westminster Abbey. After the unveiling, millions more people visited the Cenotaph and the Unknown Warrior. The memorial met with public acclaim and has largely been praised by academics, though some Christian organisations disapproved of its lack of overt religious symbolism.

The Hearst Tower is a building at the southwest corner of 57th Street and Eighth Avenue, near Columbus Circle, in the Midtown Manhattan neighborhood of New York City, New York, U.S. It is the world headquarters of media conglomerate Hearst Communications, housing many of the firm's publications and communications companies. The Hearst Tower consists of two sections, with a total height of 597 feet (182 m) and 46 stories. The six lowest stories form the Hearst Magazine Building (also known as the International Magazine Building), designed by Joseph Urban and George B. Post & Sons, which was completed in 1928. Above it is the Hearst Tower addition, designed by Norman Foster and finished in 2006.

The building's main entrance is on Eighth Avenue. The original structure is clad with stone and contains six pylons with sculptural groups. The tower section above has a glass-and-metal facade arranged as a diagrid, or diagonal grid, which doubles as its structural system. The original office space in the Hearst Magazine Building was replaced with an atrium during the Hearst Tower's construction. The tower is certified as a green building as part of the Leadership in Energy and Environmental Design (LEED) program.

The pylorus (/paɪˈlɔːrəs/ or /pɪˈloʊrəs/) connects the stomach to the duodenum. The pylorus is considered as having two parts, the pyloric antrum (opening to the body of the stomach) and the pyloric canal (opening to the duodenum). The pyloric canal ends as the pyloric orifice, which marks the junction between the stomach and the duodenum. The orifice is surrounded by a sphincter, a band of muscle, called the pyloric sphincter.The word pylorus comes from Greek πυλωρός, via Latin. The word pylorus in Greek means "gatekeeper", related to "gate" (Greek: pyle) and is thus linguistically related to the word "pylon".

The Cenotaph is a war memorial on Whitehall in London, England. Designed by Sir Edwin Lutyens, it was unveiled in 1920 as the United Kingdom's national memorial to the dead of Britain and the British Empire of the First World War. It was rededicated in 1946 to include those of the Second World War, and has since come to represent the Commonwealth casualties from those and later conflicts. The word cenotaph is derived from Greek, meaning 'empty tomb'. Most of the dead were buried close to where they fell; thus, the Cenotaph symbolises their absence and is a focal point for public mourning. The original temporary Cenotaph was erected in 1919 for a parade celebrating the end of the First World War, at which more than 15,000 servicemen, including French and American soldiers, saluted the monument. More than a million people visited the site within a week of the parade.

Calls for the Cenotaph to be rebuilt in permanent form began almost immediately. After some debate, the government agreed and construction work began in May 1920. Lutyens added entasis (curvature) but otherwise made minimal design alterations. The Cenotaph is built from Portland stone. It takes the form of a tomb chest atop a rectangular pylon, which diminishes as it rises. Three flags hang from each of the long sides. The memorial is austere, containing almost no decoration. The permanent Cenotaph was unveiled by King George V on 11 November 1920 in a ceremony combined with the repatriation of the Unknown Warrior, an unidentified British serviceman to be interred in Westminster Abbey. After the unveiling, millions more people visited the Cenotaph and the Unknown Warrior. The memorial met with public acclaim and has largely been praised by academics, though some Christian organisations disapproved of its lack of overt religious symbolism.