The Purépecha (Western Highland Purepecha: P'urhepecha [pʰuˈɽepet͡ʃa]) are a group of Indigenous people centered in the northwestern region of Michoacán, Mexico, mainly in the area of the cities of Cherán and Pátzcuaro.
They are also known by the derogatory term "Tarascan", an exonym, applied by outsiders and not one they use for themselves.
Acámbaro (Otomi: Mä'wada) is a city and municipality in the southeastern corner of the Mexican state of Guanajuato, on the banks of the Lerma River, and the oldest of the 46 municipalities of Guanajuato. Acámbaro was originally a Purépecha settlement which was invaded by the Spanish, and their Otomi allies, in 1526. Acámbaro is noted as a major railway junction, a local transport hub, and the origin of the nationally famous Acámbaro bread. The 2005 census population of the municipality was 101,762, and that of the city proper 55,082. The municipality covers an area of 877.8 km (335.01 sq mi) and includes many small outlying communities, the largest of which are Iramuco and Parácuaro.
The municipality of Acámbaro is bordered to the north by Tarimoro and Jerécuaro, to the southeast by Tarandacuao, to the south by the state of Michoacán, and to the west by Salvatierra.
Magdalena Carmen Frida Kahlo y Calderón (Spanish pronunciation: [ˈfɾiða ˈkalo]; 6 July 1907 – 13 July 1954) was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the country's popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. Her paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary Mexicayotl movement, which sought to define a Mexican identity, Kahlo has been described as a surrealist or magical realist. She is also known for painting about her experience of chronic pain. Her 1940 self-portrait titled The Dream (The Bed) holds the record for the most expensive work by a female artist ever auctioned at $54.7 million.
Born to a German father and a mestiza mother (of Purépecha descent), Kahlo spent most of her childhood and adult life at La Casa Azul, her family home in Coyoacán – now publicly accessible as the Frida Kahlo Museum. Although she was disabled by polio as a child, Kahlo had been a promising student headed for medical school until being injured in a bus accident at the age of 18, which caused her lifelong pain and medical problems. During her recovery, she returned to her childhood interest in art with the idea of becoming an artist.
Mesoamerican codices are manuscripts that present traits of the Mesoamerican indigenous pictoric tradition, either in content, style, or in regards to their symbolic conventions. The unambiguous presence of Mesoamerican writing systems in some of these documents is also an important, but not defining, characteristic, for Mesoamerican codices can comprise pure pictorials, native cartographies with no traces of glyphs on them, or colonial alphabetic texts with indigenous illustrations. Perhaps the best-known examples among such documents are Aztec codices, Maya codices, and Mixtec codices, but other cultures such as the Tlaxcaltec, the Purépecha, the Otomi, the Zapotecs, and the Cuicatecs, are creators of equally relevant manuscripts. The destruction of Mesoamerican civilizations resulted in only about twenty known pre-Columbian codices surviving to modern times.
Purépecha (autonym: Pʼurhépecha [pʰuˈɽepet͡ʃa] or Phorhé(pecha)), often called Tarascan (Spanish: Tarasco), a term coined by Spanish settlers that can be seen as pejorative to some, is a language isolate or small language family that is spoken by some 140,000 Purépecha in the highlands of Michoacán, Mexico.
Purépecha was the main language of the pre-Columbian Purépecha Empire and became widespread in the region during its heyday in the late post-Classic period. The small town of Purepero got its name from the indigenous people who lived there.