Pseudepigraphical in the context of Biblical studies


Pseudepigraphical in the context of Biblical studies

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⭐ Core Definition: Pseudepigraphical

A pseudepigraph (also anglicized as "pseudepigraphon") is a falsely attributed work, a text whose claimed author is not the true author, or a work whose real author attributed it to a figure of the past. The name of the author to whom the work is falsely attributed is often prefixed with the particle "pseudo-", such as "pseudo-Aristotle" or "pseudo-Dionysius." These terms refer to the anonymous authors of works falsely attributed to Aristotle and Dionysius the Areopagite, respectively.

In biblical studies, the term pseudepigrapha can refer to an assorted collection of Jewish religious works thought to be written c. 300 BCE to 300 CE. They are distinguished by Protestants from the deuterocanonical books (Catholic and Orthodox) or Apocrypha (Protestant), the books that appear in extant copies of the Septuagint in the fourth century or later and the Vulgate, but not in the Hebrew Bible or in Protestant Bibles. In Catholic usage, the Old Testament books accepted by the Catholic Church are referred to as the deuterocanonical books, and Catholic writers commonly reserve the word apocrypha for spurious or noncanonical writings rather than for the deuterocanon. In addition, two books considered canonical in the Orthodox Tewahedo churches, the Book of Enoch and Book of Jubilees, are noncanonical in Catholic and Eastern Orthodox canons and are classified by most scholars among the Old Testament pseudepigrapha.

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Pseudepigraphical in the context of Alchemy

Alchemy (from the Arabic word al-kīmīā, الكیمیاء) is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practised in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD. Greek-speaking alchemists often referred to their craft as "the Art" (τέχνη) or "Knowledge" (ἐπιστήμη), and it was often characterised as mystic (μυστική), sacred (ἱɛρά), or divine (θɛíα).

Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical magnum opus ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of these projects.

View the full Wikipedia page for Alchemy
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