Psalm 42 in the context of "Book of Psalms"

Play Trivia Questions online!

or

Skip to study material about Psalm 42 in the context of "Book of Psalms"

Ad spacer

⭐ Core Definition: Psalm 42

Psalm 42 is the 42nd psalm of the Book of Psalms, often known in English by its incipit, "As the hart panteth after the water brooks" (in the King James Version). The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Hebrew Bible, Psalm 42 opens the second of the five books (divisions) of Psalms, also known as the "Elohistic Psalter" because the word YHWH is rarely used and God is generally referred to as "Elohim".

In the slightly different numbering system used in the Greek Septuagint version of the bible, and generally in its Latin translations, this psalm is Psalm 41, although the Nova Vulgata translation follows the Hebrew numbering. The psalm is a hymn psalm. It is one of twelve psalms attributed to the sons of Korah.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Psalm 42 in the context of Liturgical book

A liturgical book, or service book, is a book published by the authority of a church body that contains the text and directions for the liturgy of its official religious services.

↑ Return to Menu

Psalm 42 in the context of Psalm 83

Psalm 83 is the 83rd psalm of the Book of Psalms, beginning in English in the King James Version: "Keep not thou silence, O God". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 82. In Latin, it is known as "Deus quis similis erit tibi ne taceas". It is one of the 12 Psalms of Asaph. This psalm is the last of the Psalms of Asaph, which include Psalms 50 and 73 to 83. It is also the last of the "Elohist" collection, Psalms 42–83, in which the one of God's titles, Elohim, is mainly used. It is generally seen as a national lament provoked by the threat of an invasion of Israel by its neighbors.

The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has been set to music, including works by Heinrich Schütz and Alexander von Zemlinsky.

↑ Return to Menu