Prosper Mérimée in the context of Alexander Pushkin


Prosper Mérimée in the context of Alexander Pushkin

⭐ Core Definition: Prosper Mérimée

Prosper Mérimée (French: [pʁɔspɛʁ meʁime]; 28 September 1803 – 23 September 1870) was a French writer in the movement of Romanticism, one of the pioneers of the novella, a short novel or long short story. He was also a noted archaeologist and historian, an important figure in the history of architectural preservation. He is best known for his novella Carmen, which became the basis of Bizet's opera Carmen. He learned Russian, a language for which he had great affection, before translating the work of several notable Russian writers, including Pushkin and Gogol, into French. From 1830 until 1860 he was the inspector of French historical monuments, responsible for the protection of many historic sites, including the medieval citadel of Carcassonne and the restoration of the façade of the cathedral of Notre-Dame de Paris. Along with the writer George Sand, he discovered the series of tapestries called The Lady and the Unicorn, arranging for their preservation. He was instrumental in the creation of Musée national du Moyen Âge in Paris, where the tapestries now are displayed. The official database of French monuments, the Base Mérimée, bears his name.

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Prosper Mérimée in the context of Carmen

Carmen (French: [kaʁmɛn] ) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias.

The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous torero Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the murder of the main character on stage, broke new ground in French opera and were highly controversial.

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Prosper Mérimée in the context of List of historic monuments of 1840

The List of historic monuments protected in 1840 is a list of the historic monuments of France created in 1840 by the French Commission for Historical Monuments (Commission des monuments historiques). It was the first protection of this type in the country.

In 1837, following the request of Prosper Mérimée, then inspector general of historical monuments, the prefects received a circular asking them to draw up a list of the monuments in their department whose restoration they considered to be a priority, by classifying them in order of importance. The Commission for Historical Monuments was then responsible for classifying all the lists: in 1840, this request resulted in a list of a thousand monuments "for which relief has been requested" and therefore require work (and therefore funds), to be preserved. This was the first list of its kind in France.

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Prosper Mérimée in the context of Le pré aux clercs

Le pré aux clercs (French pronunciation: [lə pʁe o klɛʁ], The Clerks' Meadow) is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's Chronique du temps de Charles IX of 1829.

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Prosper Mérimée in the context of Carmen (novella)

Carmen is a novella by Prosper Mérimée, written and first published in 1845. It has been adapted into a number of dramatic works, including the famous opera of the same name by Georges Bizet.

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