Propaganda film in the context of Why We Fight


Propaganda film in the context of Why We Fight

⭐ Core Definition: Propaganda film

A propaganda film is a film that involves some form of propaganda. Propaganda films spread and promote certain ideas that are usually religious, political, or cultural in nature. A propaganda film is made with the intent that the viewer will adopt the position promoted by the propagator and eventually take action towards making those ideas widely accepted. Propaganda films are popular mediums of propaganda due to their ability to easily reach a large audience in a short amount of time. They are also able to come in a variety of film types such as documentary, non-fiction, and newsreel, making it even easier to provide subjective content that may be deliberately misleading.

Propaganda is the ability "to produce and spread fertile messages that, once sown, will germinate in large human cultures". However, in the 20th century, a "new" propaganda emerged, which revolved around political organizations and their need to communicate messages that would "sway relevant groups of people in order to accommodate their agendas". First developed by the Lumiere brothers in 1896, film provided a unique means of accessing large audiences at once. Film was the first universal mass medium in that it could simultaneously influence viewers as individuals and members of a crowd, which led to it quickly becoming a tool for governments and non-state organizations to project a desired ideological message. As Nancy Snow stated in her book, Information War: American Propaganda, Free Speech and Opinion Control Since 9-11, propaganda "begins where critical thinking ends."

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Propaganda film in the context of Hemp for Victory

Hemp for Victory is a black-and-white United States government film made during World War II and released in 1942, explaining the uses of hemp, encouraging farmers to grow as much as possible. During World War II, the Marihuana Tax Act of 1937 was lifted briefly to allow for hemp fiber production to create ropes for the U.S. Navy but after the war marijuana reverted to its de facto illegal status.

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Propaganda film in the context of Strike (1925 film)

Strike (Russian: Стачка, romanizedStachka) is a 1925 Soviet silent propaganda film directed and edited by Sergei Eisenstein. Originating as one entry out of a proposed seven-part series titled "Towards Dictatorship of the Proletariat", Strike was a joint collaboration between the Proletcult Theatre and the film studio Goskino. As Eisenstein's first full-length feature film, it marked his transition from theatre to cinema, and his next film Battleship Potemkin emerged from the same film cycle.

Arranged in six parts, the film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. It is best known for a sequence towards the climax, in which the violent suppression of the strike is cross-cut with footage of cattle being slaughtered, and similar animal metaphors are used throughout the film to describe various individuals.

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Propaganda film in the context of First Motion Picture Unit

The 18th AAF Base Unit (Motion Picture Unit), originally known as the First Motion Picture Unit, Army Air Forces, was the primary film production unit of the U.S. Army Air Forces (AAF) during World War II, and was the first military unit made up entirely of professionals from the film industry. It produced more than 400 propaganda and training films, which were notable for being informative as well as entertaining. Films for which the unit is known include Resisting Enemy Interrogation, Memphis Belle: A Story of a Flying Fortress and The Last Bomb—all of which were released in theatres. Veteran actors such as Clark Gable, William Holden, Clayton Moore, Ronald Reagan, Craig Stevens and DeForest Kelley, and directors such as John Sturges served with the 18th AAF Base Unit. The unit also produced training films and trained combat cameramen.

First Motion Picture Unit is also the eponymous title of a 1943 self-produced documentary about the unit narrated by radio and television announcer Ken Carpenter.

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