Prix de Rome in the context of "Ingres"

Jean-Auguste-Dominique Ingres (/ˈæŋɡrə/ ANG-grə; French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.

Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman.

Méribel (French pronunciation: [meʁibɛl]) is a ski resort in the Tarentaise Valley in the French Alps. Méribel refers to three neighbouring villages in the Les Allues commune of the Savoie department of France, near the town of Moûtiers (45°24′04″N 6°33′56″E / 45.401°N 6.5655°E / 45.401; 6.5655), called Méribel Centre, Méribel-Mottaret and Méribel Village. The villages are within Vanoise National Park and a part of the Les Trois Vallées interlinked ski system.

Méribel Les Allues is a ski resort that was developed adjacent to the traditional hamlet of Morel, with its centre situated at about 1400 metres above sea level. It was founded by a Scotsman, Major Peter Lindsay, who was looking for a new site for winter sports away from the ski resorts of Austria and Germany, because of the growing strength of the Nazi regime. In 1936, he visited the town of Les Allues for the first time. He then imagined how the town could become a ski resort. Firstly, he decided to create a property company in order to develop finances strong enough to build the resort. In 1938, the first lift was placed above Les Allues. A year later, he began the construction of the first chalets and hotels in the hamlet of Méribel. Three years later, the war would stop the development of the resort, but when it was over, development continued. Now a Colonel, Peter Lindsay used specialised architects, Paul Grillo (Grand Prix de Rome in 1937) and his partner Christian Durupt, so that all buildings would be in harmony with the Savoyard style, using wood and stone for the walls, with slanted slate roofs. In 1950, the Burgin-Saulire gondola was built to link the resort to Courchevel. Lindsay's family continue to hold a financial stake in the resort. Lindsay's ashes and those of his wife are scattered on the Burgin mountain.

Laurent-Honoré Marqueste (French pronunciation: [lɔʁɑ̃ ɔnɔʁe maʁkɛst]; Toulouse 12 June 1848 — Paris, 5 April 1920) was a French sculptor in the neo-Baroque Beaux-Arts tradition. He was a pupil of François Jouffroy and of Alexandre Falguière. Marqueste won the Prix de Rome in 1871.

Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.

The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style sufficiently to win France's premier music prize – the Prix de Rome – in 1830, but he learned little from the academics of the Paris Conservatoire. Opinion was divided for many years between those who thought him an original genius and those who viewed his music as lacking in form and coherence.

The Ambassadors of Agamemnon in the tent of Achilles is an oil-on-canvas painting by Jean-Auguste-Dominique Ingres, produced in 1801 for the Prix de Rome competition. It is now in the École nationale supérieure des beaux-arts in Paris.

It shows an episode from Homer's Iliad, in which Achilles refuses to listen to the envoys sent by Agamemnon to convince him back into the Trojan War. The topic assigned for the artists competing for the Prix de Rome in 1801 was the warriors' procession toward battle; Ingres' interpretation of the subject characteristically emphasized a moment of psychological drama instead of physical action. The work was intended as a demonstration of Ingres' mastery of the human figure in classical history painting – Odysseus is shown in a red cloak derived from a sculpture by Pseudo-Phidias.

Gustave Adolphe Désiré Crauck (or Crauk; 16 July 1827 – 17 November 1905) was a French sculptor with a long distinguished career.

He was born and died at Valenciennes, where a special museum for his works was erected in his honor. Educated at the École des Beaux-Arts, Crauck took the Prix de Rome in 1851.