Princeton University Art Museum in the context of Chinese jade carving


Princeton University Art Museum in the context of Chinese jade carving

⭐ Core Definition: Princeton University Art Museum

The Princeton University Art Museum (PUAM) is the Princeton University gallery of art, located in Princeton, New Jersey. With a collecting history that began in 1755, the museum was formally established in 1882, and now houses over 117,000 works of art ranging from antiquity to the contemporary period. The Princeton University Art Museum dedicates itself to supporting and enhancing the university's goals of teaching, research, and service in fields of art and culture, as well as to serving regional communities and visitors from around the world. Its collections concentrate on the Mediterranean region, Western Europe, Asia, the United States, and Latin America.

The museum has a large collection of Greek and Roman antiquities, including ceramics, marbles, bronzes, and Roman mosaics from Princeton University's excavations in Antioch. Medieval Europe is represented by sculpture, metalwork, and stained glass. The collection of Western European paintings includes examples from the early Renaissance through the nineteenth century, and there is a growing collection of twentieth-century and contemporary art. Photographic holdings are a particular strength, numbering over 27,000 works from the invention of daguerreotype in 1839 to the present. The museum is also noted for its Asian art gallery, which includes a wide collection of Chinese calligraphy, painting, ancient bronze works, jade carvings as well as porcelain selections. In addition to its collections, the museum mounts regular temporary exhibitions featuring works from its own holdings as well as loans made from public and private collections around the world.

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Princeton University Art Museum in the context of Matteo di Giovanni

Matteo di Giovanni (c. 1430 – 1495) was an Italian Renaissance artist from the Sienese School.

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Princeton University Art Museum in the context of Allan Marquand

Allan Marquand (/ˈmɑːrkwənd/; December 10, 1853 – September 24, 1924) was an art historian at Princeton University and a curator of the Princeton University Art Museum. Marquand is notable as one of the foremost art historians and critics of his time, and helped to popularize and establish the field in elite college campuses. Along with his contemporary, Harvard's Charles Eliot Norton, Marquand was the first academic to bring the serious, academic study of art history into American collegiate curricula.

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Princeton University Art Museum in the context of Princeton Vase

The Princeton Vase is a noted example of Late Classic Maya ceramics in codex style. It was illegally looted and is now held by Princeton University Art Museum. Originally serving as a drinking vessel for chocolate, it depicts a throne room occupied by an aged deity, wearing an owl headdress, and by five young women surrounding him. In front of the throne, a bound captive is being decapitated by two masked men. This scene was long believed to refer to an episode in the Popol Vuh. The vase is said to be comparable to the Jaguar Baby vase in New York City's Metropolitan Museum of Art.

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