Primus (band) in the context of "Turntablist"

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⭐ Core Definition: Primus (band)

Primus (/ˈprmʌs/ PRY-mus) is an American rock band formed in El Sobrante, California in 1984. As of March 2025, the band is composed of bassist/vocalist Les Claypool, guitarist Larry "Ler" LaLonde, and drummer John Hoffman. Primus originally formed in 1984 with Claypool and guitarist Todd Huth, later joined by drummer Jay Lane, though the latter two had departed by the beginning of the band's recording career in 1989, replaced by LaLonde and Tim "Herb" Alexander respectively.

The "classic" lineup of Claypool, LaLonde and Alexander debuted with the live album Suck on This, which was self-released in 1989 on Claypool's label Prawn Song and reissued a year later by Caroline Records. Caroline also released Primus' debut studio album Frizzle Fry (1990), which was critically well received, and its underground success led to interest from major record labels. Their second studio album and major-label debut Sailing the Seas of Cheese (1991), released through Interscope Records, launched the band into mainstream exposure, supported by their first charting single "Jerry Was a Race Car Driver" and receiving platinum certification within a decade after its release. Primus repeated its success with their next two albums, Pork Soda (1993) and Tales from the Punchbowl (1995), both charting in the top ten on the Billboard 200, and being certified platinum and gold respectively by the RIAA. Pork Soda featured the band's top ten hit on the Billboard rock chart, "My Name Is Mud", while Tales from the Punchbowl's lead single "Wynona's Big Brown Beaver" holds the distinction of being the band's only song to chart anywhere outside of North America.

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Primus (band) in the context of Turntablism

Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's cross-fader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records (Greasley & Prior, 2013).

Turntablists, often called DJs (or "deejays"), generally prefer direct-drive turntables over belt-driven or other types, because the belt can be stretched or damaged by "scratching" and other turntable manipulation such as slowing down a record, whereas a direct drive turntable can be stopped, slowed down, or spun backwards without damaging the electric motor. The word turntablist is claimed to be originated by Luis "DJ Disk" Quintanilla (Primus, Herbie Hancock, Invisibl Skratch Piklz). After a phone conversation with Disk, it was later popularised in 1995 by DJ Babu to describe the difference between a DJ who simply plays and mixes records and one who performs by physically manipulating the records, stylus, turntables, turntable speed controls and mixer to produce new sounds. The new term coincided with the resurgence of hip-hop DJing in the 1990s.

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