Prado Museum in the context of "Renaissance art"

⭐ In the context of Renaissance art, which characteristic best describes its relationship to preceding artistic traditions?

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⭐ Core Definition: Prado Museum

The Museo del Prado (/ˈprɑːd/ PRAH-doh; Spanish pronunciation: [muˈseo ðel ˈpɾaðo]), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.

The collection currently comprises around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures, in addition to many other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the main buildings, while around 3,100 works were on temporary loan to various museums and official institutions. The remainder were in storage.

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👉 Prado Museum in the context of Renaissance art

Renaissance art (1350 – 1620) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.

The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. Scholars no longer believe that the Renaissance marked an abrupt break with medieval values, as is suggested by the French word renaissance, literally meaning "rebirth". In many parts of Europe, Early Renaissance art was created in parallel with Late Medieval art.

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Prado Museum in the context of Lamb of God

Lamb of God (Greek: Ἀμνὸς τοῦ Θεοῦ, romanizedAmnòs toû Theoû; Latin: Agnus Dei, Ecclesiastical Latin: [ˈaɲ.ɲus ˈde.i]) is a title for Jesus that appears in the Gospel of John. It appears at John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who takes away the sin of the world." It appears again in John 1:36.

Christian doctrine holds that a divine Jesus chose to suffer crucifixion at Calvary to save the world from its sins. He was given up by divine Father, as an "agent and servant of God" in carrying away the sins of the world. In Christian theology the Lamb of God is viewed as both foundational and integral to the message of Christianity.

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Prado Museum in the context of International Gothic

International Gothic is a period of Gothic art that began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century.

The spread of ideas and portable works, such as illuminated manuscripts throughout Europe led to consensus among artists and their patrons that considerably reduced variation in national styles. The main influences were northern France, the Duchy of Burgundy, Flanders and Brabant, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style.

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Prado Museum in the context of Agnus Dei (Zurbarán)

Agnus Dei (Latin for Lamb of God) is an oil painting completed between 1635 and 1640 by the Spanish Baroque artist Francisco de Zurbarán. It is housed in the Prado Museum in Madrid, Spain. The Lamb of God is an allusion to Christ's title as recorded in John's Gospel (John 1:29), where John the Baptist describes Jesus as "The Lamb of God who takes away the sin of the World".

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Prado Museum in the context of Tityos (Ribera)

Tityos is a 1632 painting, signed and dated by Jusepe de Ribera and showing the torture inflicted on the giant Tityos. It was part of a series of four paintings - the other three showed the tortures of Sisyphus, Tantalus and Ixion, but only those of Tityos and Ixion still survive, both now in the Prado Museum in Madrid.

It is unknown who commissioned the series, though its large format and theme of torture inflicted on rebels against just authority suggests a royal commission. The set of four was bought in 1634 from the Marquise de Charela by Jerónimo de Villanueva, Pronotario de Aragón, for the Buen Retiro Palace. They remained there until the 18th century.

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