International Style (architecture) in the context of "Walter Gropius"

Hugo Alvar Henrik Aalto (Finnish: [ˈhuːɡo ˈɑlʋɑr ˈhenrik ˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.

His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well. His furniture designs are considered Scandinavian Modern, an aesthetic reflected in their elegant simplification and concern for materials, especially wood, but also in Aalto's technical innovations, which led him to receiving patents for various manufacturing processes, such as those used to produce bent wood. As a designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson. The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä.

Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style championed by Philip Johnson and Henry-Russell Hitchcock. The movement was formally introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their 1972 book Learning from Las Vegas, building upon Venturi's "gentle manifesto" Complexity and Contradiction in Architecture, published by the Museum of Modern Art in New York in 1966.

The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. However, some buildings built after this period are still considered postmodern.

The United Nations Secretariat Building is a skyscraper at the headquarters of the United Nations in the Turtle Bay neighborhood of Manhattan in New York City. It contains the offices of the United Nations Secretariat, the executive organ of the United Nations (UN). The building, designed in the International Style, is 505 ft (154 m) tall with 39 above-ground stories. It was designed by a group of architects led by Wallace Harrison. Although the building is located within the United States, the site is under UN jurisdiction, so the building is exempt from some local regulations.

The Secretariat Building is designed as a rectangular slab measuring 72 by 287 ft (22 by 87 m); it is oriented from north to south and is connected with other UN headquarters buildings. The wider western and eastern elevations of the facade are glass curtain walls, while the narrower northern and southern elevations are made of marble. The Secretariat Building has 889,000 sq ft (82,600 m) of space. There are press offices, staff rooms, and other functions on the lower stories. The Secretariat offices are placed on the upper stories, which were originally arranged in a modular layout. The building also features various pieces of artwork. The building's style has inspired the construction of other glass curtain wall buildings in Manhattan.

Rockefeller Center is a complex of 19 commercial buildings covering 22 acres (8.9 ha) between 48th Street and 51st Street in the Midtown Manhattan neighborhood of New York City. The 14 original Art Deco buildings, commissioned by the Rockefeller family, span the area between Fifth Avenue and Sixth Avenue, split by a large sunken square and a private street called Rockefeller Plaza. Later additions include 75 Rockefeller Plaza across 51st Street at the north end of Rockefeller Plaza, and four International Style buildings on the west side of Sixth Avenue.

In 1928, Columbia University, the owner of the site, leased the land to John D. Rockefeller Jr., the complex's developer. Originally envisioned as the site for a new Metropolitan Opera building, the current Rockefeller Center came about after the Met could not afford to move to the proposed new building. Various plans were discussed before the current one was approved in 1932. Construction of Rockefeller Center started in 1931, and the first buildings opened in 1933. The core of the complex was completed by 1939. Described as one of the greatest projects of the Great Depression era, Rockefeller Center became a New York City designated landmark in 1985 and a National Historic Landmark in 1987. The complex and associated land has been controlled since 2000 by Tishman Speyer, which bought the property for $1.85 billion.

Marcel Lajos Breuer (/ˈbrɔɪər/ BROY-ur; 21 May 1902 – 1 July 1981) was a Hungarian-American modernist architect and furniture designer. He moved to the United States in 1937 and became a naturalized American citizen in 1944.

At the Bauhaus he designed the Wassily Chair and the Cesca Chair, which The New York Times have called some of the most important chairs of the 20th century. Breuer extended the sculpture vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world's most popular architects at the peak of 20th-century design. His work includes art museums, libraries, college buildings, office buildings, and residences. Many are in a Brutalist architecture style, including the former IBM Research and Development facility which was the birthplace of the first personal computer. He is regarded as one of the great innovators of modern furniture design and one of the most-influential exponents of the International Style.

Hatfield is a town and civil parish in Hertfordshire, England, in the borough of Welwyn Hatfield. It had a population of 29,616 in 2001, 39,201 at the 2011 census, and 41,265 at the 2021 census. The settlement is of Saxon origin. Hatfield House, home of the Marquess of Salisbury, forms the nucleus of the old town. From the 1930s when de Havilland opened a factory, until the 1990s when British Aerospace closed it, aircraft design and manufacture employed more people there than any other industry. Hatfield was one of the post-war New Towns built around London and has much modernist architecture from the period. The University of Hertfordshire is based there.

Hatfield lies 20 miles (30 kilometres) north of London beside the A1(M) motorway and has direct trains to London King's Cross railway station, London St Pancras railway station, Finsbury Park and Moorgate. There has been a strong increase in commuters who work in London moving into the area.