Portrait of Emperor Maximilian I in the context of "German Renaissance"

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⭐ Core Definition: Portrait of Emperor Maximilian I

The Portrait of Emperor Maximilian I is an oil painting by Albrecht Dürer, dating to 1519 and now in the Kunsthistorisches Museum in Vienna, Austria. It portrays Maximilian I, Holy Roman Emperor.

Dürer had a portrait sitting with the emperor in Augsburg in 1518, making the drawing now in the Albertina, Vienna, from which he later produced two paintings and a woodcut. He varies the clothes slightly in each.

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👉 Portrait of Emperor Maximilian I in the context of German Renaissance

The German Renaissance, part of the Northern Renaissance, was a cultural and artistic movement that spread among German thinkers in the 15th and 16th centuries, which developed from the Italian Renaissance. Many areas of the arts and sciences were influenced, notably by the spread of Renaissance humanism to the various German states and principalities. There were many advances made in the fields of architecture, the arts, and the sciences. Germany produced two developments that were to dominate the 16th century all over Europe: printing and the Protestant Reformation.

One of the most important German humanists was Konrad Celtis (1459–1508). Celtis studied at Cologne and Heidelberg, and later travelled throughout Italy collecting Latin and Greek manuscripts. Heavily influenced by Tacitus, he used the Germania to introduce German history and geography. Eventually he devoted his time to poetry, in which he praised Germany in Latin. Another important figure was Johann Reuchlin (1455–1522) who studied in various places in Italy and later taught Greek. He studied the Hebrew language, aiming to purify Christianity, but encountered resistance from the church.

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