Political drama in the context of "Sergei Eisenstein"

Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism.

Throughout the century, the artistic reputation of theatre improved after being derided throughout the 19th century. However, the growth of other media, especially film, has resulted in a diminished role within the culture at large. In light of this change, theatrical artists have been forced to seek new ways to engage with society. The various answers offered in response to this have prompted the transformations that make up its modern history.

In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.

All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent (mimesis) characters. In this broader sense, drama is a mode distinct from novels, short stories, and narrative poetry or songs. In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy. It is this narrower sense that the film and television industries, along with film studies, adopted. "Radio drama" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.

Epic theatre (German: episches Theater) is a theatrical movement that arose in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is.

The Working Class Goes to Heaven (Italian: La classe operaia va in paradiso), released in the US as Lulu the Tool, is a 1971 Italian satirical political drama film directed by Elio Petri. It depicts a factory worker's realisation of his own condition as a simple tool in the process of production. The film was awarded the Grand Prix du Festival International du Film at the 25th Cannes Film Festival, sharing it with Francesco Rosi's The Mattei Affair.

The West Wing is an American political drama television series created by Aaron Sorkin that was originally broadcast on NBC from September 22, 1999, to May 14, 2006. The series is set primarily in the West Wing of the White House, where the Oval Office and offices of presidential senior personnel are located, during the fictional two-term Democratic administration of President Josiah Bartlet.

The West Wing was produced by Warner Bros. Television and features an ensemble cast, including Rob Lowe, Dulé Hill, Allison Janney, Richard Schiff, John Spencer, Bradley Whitford, Martin Sheen, Janel Moloney, and Stockard Channing. For the first four seasons, there were three executive producers: Sorkin (lead writer of the first four seasons), Thomas Schlamme (primary director), and John Wells. After Sorkin left the series at the end of the fourth season, Wells assumed the role of head writer, with later executive producers being directors Alex Graves and Christopher Misiano (seasons 6–7), and writers Lawrence O'Donnell and Peter Noah (season 7).

The Good Wife is an American legal political drama television series that aired on CBS from September 22, 2009, to May 8, 2016. It focuses on Alicia Florrick, the wife of the Cook County State's Attorney, who returns to her career in law after the events of a public sex and political corruption scandal involving her husband.

The Good Wife is a serialized show with standalone storylines that are concluded by the end of each episode. It also features several story arcs that play out over multiple episodes or seasons. These serial plots—a rarity on CBS—were especially showcased in its highly praised fifth season.