Pointing machine in the context of Stone sculpture


Pointing machine in the context of Stone sculpture

⭐ Core Definition: Pointing machine

A pointing machine is a measuring tool used by stone sculptors and woodcarvers to accurately copy plaster, clay or wax sculpture models into wood or stone.In essence the device is a pointing needle that can be set to any position and then fixed. It further consists of brass or stainless steel rods and joints which can be placed into any position and then tightened. It is not actually a machine; its name is derived from the Italian macchinetta di punta.The invention of the tool has been ascribed to both the French sculptor and medallist Nicolas-Marie Gatteaux (1751–1832) and to the British sculptor John Bacon (1740–1799). It was later perfected by Canova. However, similar devices were used in ancient times, when the copying of Greek sculptures for the Roman market was a large industry.

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Pointing machine in the context of Plaster cast

A plaster cast is a copy made in plaster of another 3-dimensional form. The original from which the cast is taken may be a sculpture, building, a face, a pregnant belly, a fossil or other remains such as fresh or fossilised footprints – particularly in palaeontology (a track of dinosaur footprints made in this way can be seen outside the Oxford University Museum of Natural History).

Sometimes a blank block of plaster itself was carved to produce mock-ups or first drafts of sculptures (usually relief sculptures) that would ultimately be sculpted in stone, by measuring exactly from the cast, for example by using a pointing machine. These are still described as plaster casts. Examples of these by John Flaxman may be found in the central rotunda of the library at University College London, and elsewhere in the university's collections. It may also describe a finished original sculpture made out of plaster, though these are rarer.

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Pointing machine in the context of Cephisodotus the Elder

Cephisodotus or Kephisodotos (Greek: Κηφισόδοτος, flourished c. 400 – c. 360 BC) was a Greek sculptor, perhaps the father or an uncle of Praxiteles, one of whose sculptor sons was Cephisodotus the Younger.

The one noted work of his was Eirene (Peace) bearing the infant Ploutos (Wealth), ca 380–370 BC, of which a Roman point copy exists at the Glyptothek, Munich, and fragments in various collections. The Eirene, commissioned by the city of Athens and set up on the Areopagus, was attributed to Cephisodotus by Pausanias in the 2nd century AD.

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