Plural in the context of "Elohim"

A heroön or heroon (plural heroa) (/hɪˈroʊ.ɒn/; Ancient Greek: ἡρῷον, romanized: hērôion, pl. ἡρῷα, hērôia), also Latinized as heroum, is a shrine dedicated to an ancient Greek or Roman hero and used for the commemoration or cult worship of the hero. They were often erected over their supposed tomb or cenotaph. They were erected from the time of archaic Greece to the Augustan Roman period, and as far afield as Ai-Khanoum in Afghanistan.

In linguistics, a count noun (also countable noun) is a noun that can be modified by a quantity and that occurs in both singular and plural forms, and that can co-occur with quantificational determiners like every, each, several, etc. A mass noun has none of these properties: It cannot be modified by a number, cannot occur in plural, and cannot co-occur with quantificational determiners.

The House of Petrović-Njegoš (Serbian Cyrillic: Петровић-Његош, pl. Petrović-Njegoši / Петровић-Његоши) is an old Serbian noble family that ruled Montenegro from 1697 to 1918.

The House of Obrenović or Obrenović Dynasty (Serbian: Династија Обрeновић, romanized: Dinastija Obrenović, pl. Обрeновићи / Obrenovići, pronounced [obrěːnoʋitɕ]) was a Serbian dynasty that ruled Serbia from 1815 to 1842, and again from 1858 to 1903.

They came to power through the leadership of their progenitor Miloš Obrenović in the Serbian Uprising of 1815–1817 against the Ottoman Empire, which led to the formation of the Principality of Serbia in 1817. The Obrenović dynasty were traditionally allied with Austria-Hungary and opposed the Russian-supported House of Karađorđević.

Rūm (Arabic: روم [ruːm], collective; singulative: رومي Rūmī [ˈruːmiː]; plural: أروام ʼArwām [ʔaˈrwaːm]; Persian: روم Rum or رومیان Rumiyān, singular رومی Rumi; Turkish: Rum), ultimately derived from Greek Ῥωμαῖοι (Rhomaioi, literally 'Romans'), is the endonym of the pre-Islamic inhabitants of Anatolia, the Middle East and the Balkans and date to when those regions were parts of the Eastern Roman Empire.

The term Rūm is now used to describe:

The Artuqid dynasty (alternatively Artukid, Ortoqid, or Ortokid; Old Anatolian Turkish: أرتقي بيليك, Turkish: Artuklu Beyliği, Artuklular, pl. Artukoğulları) was established in 1102 as a Turkish principality of the Seljuk Empire. It formed a Turkoman dynasty rooted in the Oghuz Döğer tribe, and followed the Sunni Muslim faith. It ruled in Northern Syria and Upper Mesopotamia in the eleventh through thirteenth centuries. The Artuqid dynasty took its name from its founder, Artuk Bey, who was a member of Döger branch of the Oghuz Turks and ruled one of the Turkmen principalities of the Seljuk Empire. Artuk's sons and descendants ruled the three branches in the region: Sökmen's descendants ruled the region around Hasankeyf between 1102 and 1231; Ilghazi's branch ruled from Mardin and Mayyafariqin between 1106 and 1186 (until 1409 as vassals) and Aleppo from 1117–1128; and the Harput line starting in 1112 under the Sökmen branch, and was independent between 1185 and 1233.

In linguistics, grammatical number is a feature of nouns, pronouns, adjectives and verb agreement that expresses count distinctions (such as "one", "two" or "three or more"). English and many other languages present number categories of singular or plural. Some languages also have a dual, trial and paucal number or other arrangements.

The word "number" is also used in linguistics to describe the distinction between certain grammatical aspects that indicate the number of times an event occurs, such as the semelfactive aspect, the iterative aspect, etc. For that use of the term, see "Grammatical aspect".

In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built.

In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and "quality" of the chords. For example, the previously mentioned chord progression, in the key of E♭ major, would be written as E♭ major–B♭ major–C minor–A♭ major in a fake book or lead sheet. In the first chord, E♭ major, the "E♭" indicates that the chord is built on the root note "E♭" and the word "major" indicates that a major chord is built on this "E♭" note.