Pierre-Auguste Renoir in the context of "Francophile"

The Musée de l'Orangerie (English: Orangery Museum) is an art gallery of Impressionist and Post-Impressionist paintings located in the west corner of the Tuileries Garden next to the Place de la Concorde in Paris. The museum is most famous as the permanent home of eight large Water Lilies murals by Claude Monet, and also contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Alfred Sisley, Chaïm Soutine, Maurice Utrillo, and others.

The Musée Rodin (English: Rodin Museum) of Paris, France, is an art museum that was opened in 1919, primarily dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the Hôtel Biron and surrounding grounds in central Paris, as well as just outside Paris at Rodin's old home, the Villa des Brillants at Meudon, Hauts-de-Seine. The collection includes 6,600 sculptures, 8,000 drawings, 8,000 old photographs and 7,000 objets d'art. The museum receives 700,000 visitors annually.

While living in the Villa des Brillants, Rodin used the Hôtel Biron as his workshop from 1908 onwards. Hôtel Biron had been designed by the architect Jean Aubert and Rodin donated his entire collection of sculptures, along with paintings by Vincent van Gogh, Claude Monet and Pierre-Auguste Renoir he had acquired to the French State on the condition that they turn the buildings into a museum dedicated to his works. The Musée Rodin contains most of Rodin's significant creations, including The Thinker, The Kiss and The Gates of Hell. Many of his sculptures are displayed in the museum's extensive garden. The museum includes a room dedicated to the works of Camille Claudel and one of the two castings of The Mature Age.

Bohemianism is a social and cultural movement that has, at its core, a way of life away from society's conventional norms and expectations. The term originates from the French bohème and spread to the English-speaking world. It was used to describe mid-19th-century non-traditional lifestyles, especially of artists, writers, journalists, musicians, and actors in major European cities.

Bohemian is a 19th-century historical and literary topos that places the milieu of young metropolitan artists and intellectuals—particularly those of the Latin Quarter in Paris—in a context of poverty, hunger, appreciation of friendship, idealization of art and contempt for money. Based on this topos, the most diverse real-world subcultures are often referred to as "bohemian" in a figurative sense, especially (but by no means exclusively) if they show traits of a precariat.

Partner dances are dances whose basic choreography involves coordinated dancing of two partners. As such it occupies a middle ground between individuals dancing alone or individually in a non-coordinated manner, and groups of people dancing simultaneously in a coordinated manner.

Mary Quinn Sullivan (November 24, 1877 – December 5, 1939), born Mary Josephine Quinn, was a pioneering collector of European and American modern and contemporary art and gallerist, and a founding trustee of the Museum of Modern Art, which opened in rented space in New York City in November 1929. She also led a small group of Indianapolis, Indiana, art patrons who called themselves the Gamboliers and between 1928 and 1934 selected artworks of for the group that brought some of the first modern and contemporary works to the collections of the John Herron Art Institute, which later became the Indianapolis Museum of Art.

Mary and Cornelius J. Sullivan, her husband, amassed a significant private collection of art during the 1920s and 1930s that included Modigliani's Sculptured Head of a Woman, Paul Cézanne's Madame Cézanne, Georges Rouault's Crucifixion, and a Hepplewhite desk that once belonged to Edgar Degas, as well as works by Pierre-Auguste Renoir, Paul Gauguin, Henri de Toulouse-Lautrec, Vincent van Gogh, Pierre Bonnard, Pablo Picasso, and others.

Jacob Abraham Camille Pissarro (/pɪˈsɑːroʊ/ piss-AR-oh; French: [kamij pisaʁo]; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord", and he was also one of Paul Gauguin's masters. Pierre-Auguste Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".

Berthe Marie Pauline Morisot (French: [bɛʁt mɔʁizo]; 14 January 1841 – 2 March 1895) was a French painter, printmaker and a member of the circle of painters in Paris who became known as the Impressionists.

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris, listed as a student of Joseph Guichard and Achille-Francois Oudinot. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the "rejected" Impressionists in the first of their own exhibitions (15 April – 15 May 1874), which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar. Morisot went on to participate in all but one of the following eight impressionist exhibitions, between 1874 and 1886.

Alfred Sisley (/ˈsɪsli/; French: [sislɛ]; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs.

Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.

Marc Gabriel Charles Gleyre (2 May 1806 – 5 May 1874), was a Swiss artist who was a resident in France from an early age. He took over the studio of Paul Delaroche in 1843 and taught a number of younger artists who became prominent, including Henry-Lionel Brioux, Jean-Léon Gérôme, George du Maurier, Claude Monet, Pierre-Auguste Renoir, Louis-Frédéric Schützenberger, Alfred Sisley, Auguste Toulmouche, and James McNeill Whistler.