Cap of liberty in the context of "Liberty (personification)"

⭐ In the context of Liberty as a personification, the early re-introduction of a symbolic item associated with freedom, featured on a liberty pole, occurred with the Dutch Maiden, but notably *did not* utilize which specific style of cap?




⭐ Core Definition: Cap of liberty

The Phrygian cap (/ˈfrɪ()ən/ FRIJ-(ee)-ən), also known as Thracian cap and liberty cap, is a soft conical cap with the apex bent over, associated in antiquity with several peoples in Eastern Europe, Anatolia, and Asia. The Phrygian cap was worn by Thracians, Dacians, Persians, Medes, Scythians, Trojans, and Phrygians after whom it is named. The oldest known depiction of the Phrygian cap is from Persepolis in Iran.

Although Phrygian caps did not originally function as liberty caps, they came to signify freedom and the pursuit of liberty first in the American Revolution and then in the French Revolution, particularly as a symbol of Jacobinism (in which context it has been also called a Jacobin cap). The original cap of liberty was the Roman pileus, the felt cap of emancipated slaves of ancient Rome, which was an attribute of Libertas, the Roman goddess of liberty. In the 16th century, the Roman iconography of liberty was revived in emblem books and numismatic handbooks where the figure of Libertas is usually depicted with a pileus. The most extensive use of headgear as a modern symbol of freedom in the first two centuries after the revival of Roman iconography was made in the Netherlands, where it became popular headdress. In the 18th century, the traditional liberty cap was widely used in English prints, and from 1789 also in French prints; by the early 1790s, it was regularly used in the Phrygian form.

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👉 Cap of liberty in the context of Liberty (personification)

The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. Examples include Marianne, the national personification of the French Republic and its values of Liberté, Égalité, Fraternité, and the female Liberty portrayed in artworks, on United States coins beginning in 1793, and many other depictions. These descend from images on ancient Roman coins of the Roman goddess Libertas and from various developments from the Renaissance onwards. The Dutch Maiden was among the first, re-introducing the cap of liberty on a liberty pole featured in many types of image, though not using the Phrygian cap style that became conventional. The 1886 Statue of Liberty (Liberty Enlightening the World) by Frédéric Auguste Bartholdi is a well-known example in art, a gift from France to the United States.

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Cap of liberty in the context of Dutch Maiden

The Dutch Maiden (Dutch: Nederlandse Maagd, Latin: Belgica or Belgia) is a national personification of the Low Countries and - sometime after the secession of the Southern Netherlands - solely of the Dutch Republic, and its successor state the Netherlands. She is typically depicted wearing a Roman garment and with a lion, the Leo Belgicus, by her side. In addition to the symbol of a national maiden, there were also symbolic provincial maidens and town maidens.

The Dutch Maiden has been used as a national symbol since the 16th century. During the Dutch Revolt, a maiden representing the United Provinces of the Netherlands became a recurrent theme in allegorical cartoons. In early depictions she may be shown in the "Garden of Holland", a small garden surrounded by a fence, recalling the medieval hortus conclusus of the Virgin Mary. On 25 May 1694, the States of Holland and West Friesland introduced a uniform coin design for the United Provinces, showing a Dutch Maiden leaning on a bible placed on an altar and holding a lance with the cap of liberty, the Liberty pole.

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