Piazza della Signoria in the context of "Public space"

The Uffizi Gallery (UK: /juːˈfɪtsi, ʊˈfiːtsi/ yoo-FIT-see, uu-FEET-see; Italian: Galleria degli Uffizi, pronounced [ɡalleˈriːa deʎʎ ufˈfittsi]) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.

After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous Patto di famiglia ("family pact") negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865.

A town square (or public square, urban square, city square or simply square), also called a plaza or piazza, is an open public space commonly found in the heart of a traditional town or city, and which is used for community gatherings. Related concepts are the civic center, the market square and the village green.

Most squares are hardscapes suitable for open markets, concerts, political rallies, and other events that require firm ground. They are not necessarily a true geometric square.

A public space is a place that is open and accessible to the general public. Roads, pavements, public squares, parks, and beaches are typically considered public space. To a limited extent, government buildings which are open to the public, such as public libraries, are public spaces, although they tend to have restricted areas and greater limits upon use. Although not considered public space, privately owned buildings or property visible from sidewalks and public thoroughfares may affect the public visual landscape, for example, by outdoor advertising. Recently, the concept of shared space has been advanced to enhance the experience of pedestrians in public space jointly used by automobiles and other vehicles.

Public space has also become something of a touchstone for critical theory in relation to philosophy, urban geography, visual art, cultural studies, social studies and urban design. The term 'public space' is also often misconstrued to mean other things such as 'gathering place', which is an element of the larger concept of social space. Public spaces have often been valued as democratic spaces of congregation and political participation, where groups can vocalize their rights.

Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and the uses to which sculpture was put. In complete contrast to painting, there were many surviving Roman sculptures around Italy, above all in Rome, and new ones were being excavated all the time, and keenly collected. Apart from a handful of major figures, especially Michelangelo and Donatello, it is today less well-known than Italian Renaissance painting, but this was not the case at the time.

Italian Renaissance sculpture was dominated by the north, above all by Florence. This was especially the case in the quattrocento (15th century), after which Rome came to equal or exceed it as a centre, though producing few sculptors itself. Major Florentine sculptors in stone included (in rough chronological order, with dates of death) Orcagna (1368), Nanni di Banco (1421), Filippo Brunelleschi (1446), Nanni di Bartolo (1451), Lorenzo Ghiberti (1455), Donatello (1466), Bernardo (1464) and his brother Antonio Rossellino (1479), Andrea del Verrocchio (1488), Antonio del Pollaiuolo (1498), Michelangelo (1564), and Jacopo Sansovino (1570). Elsewhere there was the Siennese Jacopo della Quercia (1438), from Lombardy Pietro Lombardo (1515) and his sons, Giovanni Antonio Amadeo (1522), Andrea Sansovino (1529), Vincenzo Danti (1576), Leone Leoni (1590), and Giambologna (1608, born in Flanders).

The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on the south corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery (leading to the Arno), and diagonally to the east the Palazzo della Signoria, the political center of the city. The loggia consists of three very high and wide arches open to the Piazza and on its east side to the Uffizi. The arches rest on cluster columns with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria (see also Piazza Santissima Annunziata).