Philosophical novel in the context of "Thomas Mann"

The Fall (French: La Chute) is a philosophical novel by Albert Camus. First published in 1956, it is his last complete work of fiction. Set in Amsterdam, The Fall consists of a series of dramatic monologues by the self-proclaimed "judge-penitent" Jean-Baptiste Clamence, as he reflects upon his life to a stranger. In what amounts to a confession, Clamence tells of his success as a wealthy Parisian defense lawyer who was highly respected by his colleagues. His crisis, and his ultimate "fall" from grace, was meant to invoke, in secular terms, the fall of man from the Garden of Eden. The Fall explores themes of innocence, imprisonment, non-existence, and truth. In a eulogy to Albert Camus, existentialist philosopher Jean-Paul Sartre described the novel as "perhaps the most beautiful and the least understood" of Camus's books.

Ḥayy ibn Yaqẓān or Yaqdhan (Arabic: حي بن يقظان, lit. 'Alive son of Awake'; also known as Hai eb'n Yockdan) is an Arabic philosophical novel and an allegorical tale written by Ibn Tufail (c. 1105 – 1185) in the early 12th century in al-Andalus. Names by which the book is also known include the Latin: Philosophus Autodidactus ('The Self-Taught Philosopher'); and English: The Improvement of Human Reason: Exhibited in the Life of Hai Ebn Yokdhan. Ḥayy ibn Yaqẓān was named after an earlier Arabic philosophical romance of the same name, written by Avicenna during his imprisonment in the early 11th century, even though both tales had different stories. The novel greatly inspired Islamic philosophy as well as major Enlightenment thinkers. It is the third most translated text from Arabic, after the Quran and the One Thousand and One Nights.

Ibn Ṭufayl (c. 1105 – 1185) was an Arab Andalusian Muslim polymath: a writer, Islamic philosopher, Islamic theologian, physician, astronomer, and vizier. As a philosopher and novelist, he is most famous for writing the first philosophical novel, Hayy ibn Yaqdhan, considered a major work of Arabic literature emerging from Al-Andalus. As a physician, he was an early supporter of dissection and autopsy, which was expressed in his novel.

Thomas Carlyle (4 December 1795 – 5 February 1881) was a Scottish essayist, historian and philosopher. Known as the "sage of Chelsea", his writings strongly influenced the intellectual and artistic culture of the Victorian era.

Carlyle was born in Ecclefechan, a village in Dumfriesshire, Scotland. He attended the University of Edinburgh, where he excelled in mathematics and invented the Carlyle circle. After finishing the arts course he prepared to become a minister in the Burgher Church while working as a schoolmaster. He quit these and several other endeavours before settling on literature, writing for the Edinburgh Encyclopædia and working as a translator. He initially gained prominence in English-language literary circles for his extensive writing on German Romantic literature and philosophy. These themes were explored in his first major work, a semi-autobiographical philosophical novel entitled Sartor Resartus (1833–34).

The Nemesis of Faith is an epistolary philosophical novel by James Anthony Froude published in 1849. Partly autobiographical, the novel depicts the causes and consequences of a young priest's crisis of faith. Like many of his contemporaries, Froude came to question his Christian faith in light of early nineteenth century developments in history, theology, and science. Froude was particularly influenced by the Catholic teachings of the Oxford Movement and by the new approach to religious scholarship developed by the German Higher Critics.

The novel consists primarily of protagonist Markham Sutherland's account of the development of his religious ideas and doubts, followed by a brief narrative in which Sutherland's lack of faith leads him and his lover to tragic ends. The novel was condemned by English religious figures and publicly burned by William Sewell; this led to Froude's resignation of his fellowship at Oxford University.The novel's reception amongst literary reviewers was mixed; while writers such as George Eliot professed profound admiration, others such as Thomas Carlyle were harshly critical. Although no longer widely read as a literary work, it remains significant in intellectual history for its accounts of Victorian scepticism and the Oxford Movement.