Philipp Veit (13 February 1793 – 18 December 1877) was a German Romantic painter and one of the main exponents of the Nazarene movement. It is to Veit that the credit of having been the first to revive the nearly forgotten technique of fresco painting is due.
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👉 Philipp Veit in the context of German revolutions of 1848–1849
The German revolutions of 1848–1849 (German: Deutsche Revolution 1848/1849), the opening phase of which was also called the March Revolution (German: Märzrevolution), were initially part of the Revolutions of 1848 that broke out in many European countries. They were a series of loosely coordinated protests and rebellions in the states of the German Confederation, including the Austrian Empire. The revolutions, which stressed pan-Germanism, liberalism, and parliamentarianism, demonstrated popular discontent with the traditional, largely autocratic political structure of the 39 independent states of the Confederation that inherited the German territory of the former Holy Roman Empire after its dismantlement as a result of the Napoleonic Wars. This process began in the mid-1840s.
The middle-class elements were committed to liberal principles, while the working class sought radical improvements to their working and living conditions. As the middle- and working-class components of the Revolution split, the conservative aristocracy defeated it. Liberals were forced into exile to escape political persecution, where they became known as Forty-Eighters. Many emigrated to the United States, settling from Wisconsin to Texas.
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Philipp Veit in the context of Germania (personification)
Germania (/dʒərˈmeɪniə/; Latin: [ɡɛrˈmaːnia]) is the personification of the German nation or the Germans as a whole. Like many other national personification symbols, she appeared first during the Roman Era. During the Medieval era, she was usually portrayed as one of the lands or provinces ruled by the emperors of the Holy Roman Empire, and not as the most prominent but in a subordinate position to imperial power and other provinces. Around 1500, together with the birth of the Holy Roman Empire of the German Nation, Emperor Maximilian I and his humanists reinvented her as Mother of the Nation.
She is also commonly associated with the Romantic Era and the Revolutions of 1848, though the figure was later used by Imperial Germany.