Philip Hardie in the context of Australian Academy of the Humanities


Philip Hardie in the context of Australian Academy of the Humanities

⭐ Core Definition: Philip Hardie

Philip Russell Hardie, FBA (born 13 July 1952) is a specialist in Latin literature at the University of Cambridge. He has written especially on Virgil, Ovid, and Lucretius, and on the influence of these writers on the literature, art, and ideology of later centuries.

Philip Hardie was educated at St Paul's School, London and Corpus Christi College, Oxford. He was Corpus Christi Professor of the Latin Language and Literature at the University of Oxford (2002–6), and since 2006 he has been Senior Research Fellow and Honorary Professor of Latin at Trinity College, Cambridge. In 2000 he was elected a fellow of the British Academy. In 2014 he was elected as an honorary fellow of the Australian Academy of the Humanities, and in spring 2016 was the 102nd Sather lecturer at the University of California, Berkeley. He is also a member of the Academia Europaea.

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Philip Hardie in the context of Pharsalia

De Bello Civili (Latin pronunciation: [deː ˈbɛlloː kiːˈwiːliː]; On the Civil War), more commonly referred to as the Pharsalia (Latin: [pʰarˈsaːlia], neuter plural), is a Roman epic poem written by the poet Lucan, detailing the civil war between Julius Caesar and the forces of the Roman Senate led by Pompey the Great. The poem's title is a reference to the Battle of Pharsalus, which occurred in 48 BC near Pharsalus, Thessaly, in Northern Greece. Caesar decisively defeated Pompey in this battle, which occupies all of the epic's seventh book. In the early twentieth century, translator J. D. Duff, while arguing that "no reasonable judgment can rank Lucan among the world's great epic poets", notes that the work is notable for Lucan's decision to eschew divine intervention and downplay supernatural occurrences in the events of the story. Scholarly estimation of Lucan's poem and poetry has since changed, as explained by commentator Philip Hardie in 2013: "In recent decades, it has undergone a thorough critical re-evaluation, to re-emerge as a major expression of Neronian politics and aesthetics, a poem whose studied artifice enacts a complex relationship between poetic fantasy and historical reality."

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