Phantom of the Opera (1986 musical) in the context of "Michael Crawford"

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⭐ Core Definition: Phantom of the Opera (1986 musical)

The Phantom of the Opera is a musical with music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe, and a libretto by Lloyd Webber and Stilgoe. Based on the 1910 novel by Gaston Leroux, it tells the tragic story of beautiful soprano Christine Daaé, who becomes the obsession of a mysterious and disfigured musical genius living in the subterranean labyrinth beneath the Paris Opera House.

The musical opened in London's West End in 1986 and on Broadway in New York in 1988, in a production directed by Harold Prince and starring English classical soprano Sarah Brightman (Lloyd Webber's then-wife) as Christine Daaé, screen and stage star Michael Crawford as the Phantom, and international stage performer Steve Barton as Raoul. It won the 1986 Olivier Award and the 1988 Tony Award for Best Musical, with Crawford winning the Olivier and Tony for Best Actor in a Musical. A film adaptation, directed by Joel Schumacher, was released in 2004.

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Phantom of the Opera (1986 musical) in the context of Diegetic music

Diegetic music, also called source music, is music that is part of the fictional world portrayed in a narrative (such as a film, show, play, or video game) and is thus knowingly performed or heard by the characters. This is in contrast to non-diegetic music, which is incidental music or a score that is heard by the viewer but not the characters, or in musical theater, when characters are singing in a manner that they would not do in a realistic setting.

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