Peter Flötner in the context of Bavarian National Museum


Peter Flötner in the context of Bavarian National Museum

⭐ Core Definition: Peter Flötner

Peter Flötner, also Flatner, Flettner, or Floetner (c. 1490 in Thurgau – 23 October 1546, in Nuremberg), was a German designer, sculptor, and printmaker. He was a leading figure in the introduction of Italianate Renaissance design to sculpture and the decorative arts in Germany, competing in this regard with the Vischer Family of Nuremberg. He designed and produced work in a wide range of media, but "seems to have made only a modest living", unlike many of his contemporary artists.

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Peter Flötner in the context of Plaquette

A plaquette (French: [plakɛt]; "small plaque") is a small low relief sculpture in bronze or other materials. These were popular in the Italian Renaissance and later. They may be commemorative, but especially in the Renaissance and Mannerist periods were often made for purely decorative purposes, with often crowded scenes from religious, historical or mythological sources. Only one side is decorated, giving the main point of distinction with the artistic medal, where both sides are normally decorated. They can usually be held within a hand. At the smaller end they overlap with medals, and at the larger they begin to be called plaques. They have always been closely related to the medal, and many awards today are in the form of plaquettes, but plaquettes were less restricted in their subject-matter than the medal, and allowed the artist more freedom.

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Peter Flötner in the context of Moresque

Moresque is an obsolete alternative term to "Moorish" in English, and in the arts has some specific meanings. By itself, the word is used to describe the stylized plant-based forms of tendrils and leaves found in ornament and decoration in the applied arts in Renaissance Europe that are derived from the arabesque patterns of Islamic ornament. Like their Islamic ancestors, they differ from the typical European plant scroll in being many-branched and spreading rather than forming a line in one direction. The use of half-leaves with their longest side running along the stem is typical for both.

First found in 15th-century Italy, especially Venice, moresques continue in the Mannerist and Northern Mannerist styles of the 16th century.

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