A persona (plural personae or personas) is a strategic mask of identity in public, the public image of one's personality, the social role that one adopts, or simply a fictional character. It is also considered "an intermediary between the individual and the institution."
Persona studies is an academic field developed by communication and media scholars. The related notions of "impression management" and "presentation of self" have been discussed by Erving Goffman in the 1950s.
A head of state is the public persona of a sovereign state. The name given to the office of head of state depends on the country's form of government and any separation of powers; the powers of the office in each country range from being also the head of government to being little more than a ceremonial figurehead.
In a parliamentary system, such as India or the United Kingdom, the head of state usually has mostly ceremonial powers, with a separate head of government. However, in some parliamentary systems, like South Africa, there is an executive president that is both head of state and head of government. Likewise, in some parliamentary systems the head of state is not the head of government, but still has significant powers, for example Morocco. In contrast, a semi-presidential system, such as France, has both heads of state and government as the de facto leaders of the nation (in practice, they divide the leadership of the nation between themselves).
Monument to Balzac is a sculpture by Auguste Rodin in memory of the French novelist Honoré de Balzac. According to Rodin, the sculpture aims to portray the writer's persona rather than a physical likeness. The work was commissioned in 1891 by the Société des Gens de Lettres and a full-size plaster model was displayed in 1898 at a Salon in Champ de Mars. After coming under criticism the model was rejected by the Société and Rodin moved it to his home in Meudon. On 2 July 1939 (22 years after the sculptor's death) the model was cast in bronze for the first time and placed on the Boulevard du Montparnasse at the intersection with Boulevard Raspail.
Casts and various studies of the sculpture are today in many different collections including the Ackland Art Museum, Middelheim Open Air Sculpture Museum in Antwerp, The Norton Simon Museum of Art, the National Museum of Western Art in Tokyo, the Musée Rodin in Meudon, the Rodin Museum in Philadelphia, the Hirshhorn Museum, the Hirschhorn Sculpture Garden (Smithsonian) in Washington D.C, The Metropolitan Museum of Art, the Museum of Modern Art in New York City, the National Gallery of Victoria in Melbourne, the Ashmolean Museum in Oxford, in front of the Van Abbemuseum, Eindhoven, Netherlands, in Caracas, Venezuela in the open spaces around the former Ateneo de Caracas, now UNEARTES and Balzac in the Robe of a Dominican Monk in Museo Soumaya in Mexico City. Today the artwork is sometimes considered the first truly modern sculpture.
A head of state is the public persona of a sovereign state. The name given to the office of head of state depends on the country's form of government and any separation of powers; the powers of the office in each country range from being also the head of government to being little more than a ceremonial figurehead.
In a parliamentary system, such as India or the United Kingdom, the head of state usually has mostly ceremonial powers, with a separate head of government. However, in some parliamentary systems, like South Africa, there is an executive president that is both head of state and head of government. Likewise, in some parliamentary systems the head of state is not the head of government, but still has significant powers, for example Morocco. In contrast, in other parliamentary systems such as Sweden and Japan, the head of state is purely ceremonial without any meaningful power.
A dandy is a man who places particular importance upon physical appearance and personal grooming, refined language and leisurely hobbies. A dandy could be a self-made man both in person and persona, who emulated the aristocratic style of life regardless of his middle-class origin, birth, and background, especially during the late 18th and early 19th centuries in Britain.
Early manifestations of dandyism were Le petit-maître (the Little Master) and the musk-wearing Muscadin ruffians of the middle-class Thermidorean reaction (1794–1795). Modern dandyism, however, emerged in stratified societies of Europe during the 1790s revolution periods, especially in London and Paris. Within social settings, the dandy cultivated a persona characterized by extreme posed cynicism, or "intellectual dandyism" as defined by Victorian novelist George Meredith; whereas Thomas Carlyle, in his novel Sartor Resartus (1831), dismissed the dandy as "a clothes-wearing man"; Honoré de Balzac's La fille aux yeux d'or (1835) chronicled the idle life of a model French dandy whose downfall stemmed from his obsessive Romanticism in the pursuit of love, which led him to yield to sexual passion and murderous jealousy.