Persian carpet in the context of "Safavid Empire"

Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.

The early developments of Islamic art were influenced by Roman art, Early Christian art (particularly Byzantine art), and Sassanian art, with later influences from Central Asian nomadic traditions. Chinese art had a significant influence on Islamic painting, pottery, and textiles. From its beginnings, Islamic art has been based on the written version of the Quran and other seminal religious works, which is reflected by the important role of calligraphy, representing the word as the medium of divine revelation.

The Ardabil Carpet (or Ardebil Carpet) is the name of two different famous Persian carpets, the larger and better-known now in the Victoria and Albert Museum in London. Originally there were two presumably identical carpets, and the London carpet, as restored and reconstructed in the 19th century, uses sections from both. It now measures 34 ft 3 in × 17 ft 6+7⁄8 in (1,044 cm × 535.5 cm). The other carpet, now in the Los Angeles County Museum of Art, and smaller at 23 ft 7 in × 13 ft 1+1⁄2 in (718.82 cm × 400.05 cm), was made up of the sections in adequate condition unused for the London carpet. Both carpets are now smaller (shorter in particular) than they would have been originally, and there are other fragments in various collections that appear to come from the reconstruction process. The carpets have a typical Tabriz design, with one central medallion and smaller, ornate designs surrounding. Such medallions and shapes were central to the design and reality of Persian gardens, a common symbol of paradise for followers of Islam.

A cartouche on the London carpet contains the date A.H. 946, or 1539-40, which is thought to be the earliest date on any Persian carpet.