Percussion in the context of "Tubular bells"

A gong is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds.

The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I bronze drum (c. 3rd to 2nd century BC) from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Burma. The term gong (Javanese: ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Annam, Java, Burma, and Southern China were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting bell was widely used in ancient Greece and Rome: for instance in the famous Oracle of Dodona, where disc gongs were also used.

A brass band is a musical ensemble generally consisting primarily of brass instruments, most often with a percussion section. Ensembles that include brass and woodwind instruments can in certain traditions also be termed brass bands (particularly in the context of New Orleans and Japan–style brass bands), but may be more correctly termed military bands, concert bands, or "brass and reed" bands.

A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. They exist in many forms in many different cultures around the world. Clappers can take a number of forms and be made of a wide variety of material. Wood is most common, but metal and ivory have also been used. The plastic thundersticks that have recently come to be popular at sporting events can be considered a form of inflated plastic clapper.

Several specific forms of clapper have their own names, such as the Chinese guban, Japanese hyoshigi, or the Korean bak. In the classical music of Thailand, a similar instrument is called krap. In India cooking tongs or cimṭā are often used to provide rhythm while singing religious hymns in many areas (sometimes tongs made specifically for the purpose are also equipped with bells). In Vietnam, the coin clapper called sinh tiền is widely used. In medieval French music, clappers called tablettes or cliquettes were used. In the Western symphony orchestra, a clapper called the whip (also called slapstick) is occasionally used in the percussion section.

A drum beat or drum pattern is a rhythmic pattern, or repeated rhythm establishing the meter and groove through the pulse and subdivision, played on drum kits and other percussion instruments. As such a "beat" consists of multiple drum strokes occurring over multiple musical beats while the term "drum beat" may also refer to a single drum stroke which may occupy more or less time than the current pulse. Many drum beats define or are characteristic of specific music genres.

Many basic drum beats establish the pulse through alternating bass (on the on-beats) and snare drums (on the off-beats) strokes while establishing the subdivision on the ride cymbal (thus its name) or hi-hat:

The continent of Africa and its music is vast and highly diverse, with different regions and nations maintaining distinct musical traditions. African music includes genres such as makwaya, highlife, mbube, township music, jùjú, fuji, jaiva, afrobeat, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, and taarab, among others. African music also uses a wide variety of instruments from across the continent. The music and dance traditions of the African diaspora, shaped to varying degrees by African musical traditions, include American genres such as Dixieland jazz, blues, and jazz, as well as Caribbean styles such as calypso (see kaiso), and soca. Latin American music genres including cumbia, salsa, son cubano, rumba, conga, bomba, samba, and zouk developed from the music of enslaved Africans and have, in turn, influenced contemporary African popular music.

Like the music of Asia, India, and the Middle East, African music is highly rhythmic. Its complex rhythmic patterns often involve one rhythm played against another to create a polyrhythm. A common example is the three-against-two rhythm, comparable to a triplet played against straight notes. Sub-Saharan African music traditions frequently rely on a wide array of percussion instruments, including xylophones, djembes, drums, and tone-producing instruments such as the mbira or "thumb piano".

In music, inharmonicity is the degree to which the frequencies of overtones (also known as partials or partial tones) depart from whole multiples of the fundamental frequency (harmonic series).

Acoustically, a note perceived to have a single distinct pitch in fact contains a variety of additional overtones. Many percussion instruments, such as cymbals, tam-tams, and chimes, create complex and inharmonic sounds.

A fanfare (or fanfarade or flourish) is a short musical flourish which is typically played by trumpets (including fanfare trumpets), French horns or other brass instruments, often accompanied by percussion. It is a "brief improvised introduction to an instrumental performance". A fanfare has also been defined in The Golden Encyclopedia of Music as "a musical announcement played on brass instruments before the arrival of an important person", such as heralding the entrance of a monarch (the term honors music for such announcements does not have the specific connotations of instrument or style that fanfare does). Historically, fanfares were usually played by trumpet players, as the trumpet was associated with royalty. Bugles are also mentioned. The melody notes of fanfare are often based around the major triad, often using "heroic dotted rhythms".

By extension, the term may also designate a short, prominent passage for brass instruments in an orchestral composition. Fanfares are widely used in opera orchestral parts, notably in Richard Wagner's Tannhäuser and Lohengrin and Beethoven's Fidelio. In Fidelio, the dramatic use of the fanfare is heightened by having the trumpet player perform offstage, which creates a muted effect.