Percival in the context of "Parzival"

Parzival (German pronunciation: [ˈpaʁtsifal]) is a medieval chivalric romance by the poet and knight Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival (Percival in English) and his long quest for the Holy Grail following his initial failure to achieve it.

Parzival begins with the knightly adventures of Parzival's father, Gahmuret, his marriage to Herzeloyde (Middle High German: herzeleide, "heart's sorrow"), and the birth of Parzival. The story continues as Parzival meets three elegant knights, decides to seek King Arthur, and continues a spiritual and physical search for the Grail. A long section is devoted to Parzival's friend Gawan and his adventures defending himself from a false murder charge and winning the hand of the maiden Orgeluse. Among the most striking elements of the work are its emphasis on the importance of humility, compassion, sympathy and the quest for spirituality. A major theme in Parzival is love: heroic acts of chivalry are inspired by true love, which is ultimately fulfilled in marriage.

Parsifal (WWV 111) is a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is freely based on the 13th-century Middle High German chivalric romance Parzival of the Minnesänger Wolfram von Eschenbach and the Old French chivalric romance Perceval ou le Conte du Graal by the 12th-century trouvère Chrétien de Troyes, recounting different accounts of the story of the Arthurian knight Parzival (Percival) and his spiritual quest for the Holy Grail.

Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his newly built Bayreuth Festspielhaus. Parsifal was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on Parsifal productions until 1914, however the opera was performed at the Metropolitan Opera in New York in 1903 after a US court ruled that it was legal.

King Pellinore /ˈpɛlɪnɔːr/ (alternatively Pellinor, Pellynore and other variants) is the king of Listenoise (possibly the Lake District) or of "the Isles" (possibly Anglesey, or perhaps the medieval kingdom of the same name) in Arthurian legend. In the tradition from the Old French prose, he is associated with the Questing Beast and is the slayer of King Lot. His many children include the sons Aglovale, Lamorak, and Percival, and the daughter Dindrane.

Diu Crône (English: The Crown) is a Middle High German poem of about 30,000 lines treating of King Arthur and the Matter of Britain, dating from around the 1220s and attributed to the epic poet Heinrich von dem Türlin. Little is known of the author though it has been suggested that he was from the town of Sankt Veit an der Glan, then the residence of the Sponheim dukes of Carinthia.

Diu Crône also tells of the Knights of the Round Table's quest for the Grail but differs from the better-known "Percival" and "Galahad" versions of the narrative in that it is here Gawain who acquires the sacred object; it is the only work in the Arthurian corpus in which he does so. The 'crown' of the title is, in fact, the poem itself: Heinrich likens his work to a gem-set diadem - the 'gems' being the various Arthurian tales or episodes that he has 'set' in the gold of his verse; his avowed object in this endeavor being the delectation of ladies everywhere - the which accords well with the reputation of his chosen hero, Gawain as a ladies' man.