Cave painting in the context of "Paint"

โญ In the context of Paint, cave painting is considered one of the earliest applications ofโ€ฆ

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โญ Core Definition: Cave painting

In archaeology, cave paintings are a type of parietal art (which category also includes petroglyphs, or engravings), found on the wall or ceilings of caves. The term usually implies prehistoric origin. Several groups of scientists suggest that the oldest of such paintings were created not by Homo sapiens, but by Denisovans and Neanderthals.

Discussion around prehistoric art is important in understanding the history of Homo sapiens and how human beings have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.

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๐Ÿ‘‰ Cave painting in the context of Paint

Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics.

Primitive forms of paint were used tens of thousands of years ago in cave paintings.

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Cave painting in the context of Western art history

The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.

The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism.

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Cave painting in the context of History of cartography

Maps have been one of the most important human inventions, allowing humans to explain and navigate their way. When and how the earliest maps were made is unclear, but maps of local terrain are believed to have been independently invented by many cultures. The earliest putative maps include cave paintings and etchings on tusk and stone. Maps were produced extensively by ancient Babylon, Greece, Rome, China, and India.

The earliest maps ignored the curvature of Earth's surface, both because the shape of the Earth was unknown and because the curvature is not important across the small areas being mapped. However, since the age of Classical Greece, maps of large regions, and especially of the world, have used projection from a model globe to control how the inevitable distortion gets apportioned on the map.

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Cave painting in the context of Rock art

In archaeology, rock art refers to human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:

The oldest known rock art dates from the Upper Palaeolithic period, having been found in Europe, Australia, Asia, and Africa. Anthropologists studying these artworks believe that they likely had magico-religious significance.

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Cave painting in the context of Western art

The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and, with the Roman Empire, was carried across much of Europe, North Africa and Western Asia.

The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism.

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Cave painting in the context of Diagram

A diagram is a symbolic representation of information using visualization techniques. Diagrams have been used since prehistoric times on walls of caves, but became more prevalent during the Enlightenment. Sometimes, the technique uses a three-dimensional visualization which is then projected onto a two-dimensional surface. The word graph is sometimes used as a synonym for diagram.

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