Penny dreadful in the context of "Spring-heeled Jack"

A comic book, comic-magazine, or simply comic is a publication that consists of comics art in the form of sequential panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually dialogue contained in word balloons, which are emblematic of the comics art form.

Comic Cuts was a British comic published from 1890 to 1953. It was preceded by Ally Sloper's Half Holiday (1884), which is notable for its use of sequential cartoons to unfold narrative. These British comics existed alongside the popular lurid "penny dreadfuls" (such as Spring-heeled Jack), boys' "story papers" and the humorous Punch magazine, which was the first to use the term "cartoon" in its modern sense of a humorous drawing.

Pulp magazines (also referred to as "the pulps") were inexpensive fiction magazines that were published from 1896 until around 1955. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine was 128 pages, 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century.

Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter, even though this was but a small part of what existed in the pulps. Digest magazines and men's adventure magazines were incorrectly regarded as pulps, though they have different editorial and production standards and are instead replacements. Modern superhero comic books are sometimes considered descendants of "hero pulps"; pulp magazines often featured illustrated novel-length stories of heroic characters, such as Flash Gordon, The Shadow, Doc Savage, and The Phantom Detective.

The Ephesian Tale of Anthia and Habrocomes (Greek: Ἐφεσιακά, Ephesiaka; also Τὰ κατὰ Ἀνθίαν καὶ Ἁβροκόμην, Ta kata Anthian kai Habrokomēn) by Xenophon of Ephesus is an Ancient Greek novel written before the late 2nd century AD, though in 1996 James O’Sullivan argued the date should actually be seen as closer to 50 AD.

Translator Graham Anderson sees the Ephesiaca as "a specimen of penny dreadful literature in antiquity." Moses Hadas, an earlier translator, takes a slightly different view: "If An Ephesian Tale is an absorbing tale of love and improbable adventure, it is also a tract to prove that Diana of the Ephesians (who was equated with Isis) cares for her loyal devotees."

The dime novel is a form of late 19th-century and early 20th-century American popular fiction issued in series of inexpensive paperbound editions. The term dime novel has been used as a catchall term for several different but related forms, referring to story papers, five- and ten-cent weeklies, "thick book" reprints, and sometimes early pulp magazines. Dime novels are similar in form and content to British penny dreadfuls and story papers, which were produced at the same time.

A yellow-back or yellowback is a cheap novel which was published in Britain in the second half of the 19th century. They were occasionally called "mustard-plaster" novels.

Developed in the 1840s to compete with the "penny dreadful", yellow-backs were marketed as entertaining reading. They had brightly coloured covers, often printed by chromoxylography, that were attractive to a new class of readers, thanks to the spread of education and rail travel.