The Pena Palace (Portuguese: Palácio da Pena) is a Romanticist palace in São Pedro de Penaferrim, in the municipality of Sintra, on the Portuguese Riviera. The castle stands on the top of a hill in the Sintra Mountains above the town of Sintra, and on a clear day it can be easily seen from Lisbon and much of its metropolitan area. It is a national monument and constitutes one of the major expressions of 19th-century Romanticism in the world. The palace is a UNESCO World Heritage Site and one of the Seven Wonders of Portugal. It is also used for state occasions by the President of the Portuguese Republic and other government officials.
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Pena Palace in the context of Sintra Mountains
The Sintra Mountains (Portuguese: Serra de Sintra), is a mountain range in western Portugal. Its highest point is at 529 meters (1,736 ft) near Sintra. The range covers about 16 kilometers (10 mi) from the resort town of Sintra to Cabo da Roca (Cape Roca) on the Atlantic Ocean. It was known to the Ancient World as Lunae Mons (mountain of the Moon) and was the legendary retreat of Diana the Huntress (known as Cynthia to the Romans, from the Greek Κύνθια, hence Çintra).
It has a rich fauna, foxes, genet, moles, salamanders, peregrine falcons, vipers and various species of scaly reptiles. Its climate is temperate with many oceanic influences and hence presents a higher rainfall than the remaining area of Lisbon. It also has a unique vegetation. About nine hundred plant species are indigenous, ten percent of which are endemic. Namely oak, cork oak and pine wood.
Pena Palace in the context of Neo-romanticism
The term neo-romanticism is used to cover a variety of movements in philosophy, literature, music, painting, and architecture, as well as social movements, that exist after and incorporate elements from the era of Romanticism.
It has been used with reference to late-19th-century composers such as Richard Wagner particularly by Carl Dahlhaus who describes his music as "a late flowering of romanticism in a positivist age". He regards it as synonymous with "the age of Wagner", from about 1850 until 1890—the start of the era of modernism, whose leading early representatives were Richard Strauss and Gustav Mahler (Dahlhaus 1979, 98–99, 102, 105). It has been applied to writers, painters, and composers who rejected, abandoned, or opposed realism, naturalism, or avant-garde modernism at various points in time from about 1840 down to the present.